The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
When there is something to be done, the world knows how to get it done.
The vegetable eye makes leaf, pericarp, root, bark, or thorn, as the need
is; the first cell converts itself into stomach, mouth, nose, or nail,
according to the want; the world throws its life into a hero or a
shepherd, and puts him where he is wanted. Dante and Columbus were
Italians in their time: they would be Russians or Americans to-day. Things
ripen, new men come. The adaptation is not capricious. The ulterior aim,
the purpose beyond itself, the correlation by which planets subside and
crystallize, then animate beasts and men, will not stop, but will work
into finer particulars, and from finer to finest.
The secret of the world is, the tie between person and event. Person makes
event and event person. The "times," "the age," what is that, but a few
profound persons and a few active persons who epitomize the
times?--Goethe, Hegel, Metternich, Adams, Calhoun, Guizot, Peel, Cobden,
Kossuth, Rothschild, Astor, Brunel, and the rest. The same fitness must be
presumed between a man and the time and event, as between the sexes, or
between a race of animals and the food it eats, or the inferior races it
uses. He thinks his fate alien, because the copula is hidden. But the soul
contains the event that shall befall it, for the event is only the
actualization of its thoughts; and what we pray to ourselves for is always
granted. The event is the print of your form. It fits you like your skin.
What each does is proper to him. Events are the children of his body and
mind. We learn that the soul of Fate is the soul of us, as Hafiz sings--
Alas! till now I had not known,
My guide and fortune's guide are one.
All the toys that infatuate men, and which they play for,--houses, land,
money, luxury, power, fame,--are the self-same thing, with a new gauze or
two of illusion overlaid. And of all the drums and rattles by which men
are made willing to have their heads broke, and are led out solemnly every
morning to parade, the most admirable is this by which we are brought to
believe that events are arbitrary, and independent of actions. At the
conjurer's we detect the hair by which he moves his puppet, but we have
not eyes sharp enough to descry the thread that ties cause and effect.
Public-domain text, read in full here on John Shaqi.
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