The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
Nature magically suits the man to his fortunes, by making these the fruit
of his character. Ducks take to the water, eagles to the sky, waders to
the sea margin, hunters to the forest, clerks to counting-rooms, soldiers
to the frontier. Thus events grow on the same stem with persons; are
sub-persons. The pleasure of life is according to the man that lives it,
and not according to the work or the place. Life is an ecstasy. We know
what madness belongs to love--what power to paint a vile object in hues of
heaven. As insane persons are indifferent to their dress, diet, and other
accommodations, and, as we do in dreams, with equanimity, the most absurd
acts, so, a drop more of wine in our cup of life will reconcile us to
strange company and work. Each creature puts forth from itself its own
condition and sphere, as the slug sweats out its slimy house on the
pear-leaf, and the woolly aphides on the apple perspire their own bed, and
the fish its shell. In youth, we clothe ourselves with rainbows, and go as
brave as the zodiac. In age, we put out another sort of
perspiration--gout, fever, rheumatism, caprice, doubt, fretting, and
avarice.
A man's fortunes are the fruit of his character. A man's friends are his
magnetisms. We go to Herodotus and Plutarch for examples of Fate; but we
are examples. "_Quisque suos patimur manes._" The tendency of every man to
enact all that is in his constitution is expressed in the old belief, that
the efforts which we make to escape from our destiny only serve to lead us
into it; and I have noticed, a man likes better to be complimented on his
position, as the proof of the last or total excellence, than on his
merits.
A man will see his character emitted in the events that seem to meet, but
which exude from and accompany him. Events expand with the character. As
once he found himself among toys, so now he plays a part in colossal
systems, and his growth is declared in his ambition, his companions, and
his performance. He looks like a piece of luck, but is a piece of
causation--the mosaic, angulated and ground to fit into the gap he fills.
Hence in each town there is some man who is, in his brain and performance,
an explanation of the tillage, production, factories, banks, churches,
ways of living, and society, of that town. If you do not chance to meet
him, all that you see will leave you a little puzzled: if you see him, it
will become plain. We know in Massachusetts who built New Bedford, who
built Lynn, Lowell, Lawrence, Clinton, Fitchburg, Holyoke, Portland, and
many another noisy mart. Each of these men, if they were transparent,
would seem to you not so much men, as walking cities, and, wherever you
put them, they would build one.
Public-domain text, read in full here on John Shaqi.
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