The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
But the man of science who, forgetting the limits of philosophical
inquiry, slides from these formulæ and symbols into what is commonly
understood by materialism, seems to me to place himself on a level with
the mathematician who should mistake the _x_'s and _y_'s with which he
works his problems for real entities--and with this further disadvantage,
as compared with the mathematician, that the blunders of the latter are of
no practical consequence, while the errors of systematic materialism may
paralyze the energies and destroy the beauty of a life.
JOHN TYNDALL
SCOPE AND LIMIT OF SCIENTIFIC MATERIALISM
Partly through mathematical and partly through experimental research,
physical science has of late years assumed a momentous position in the
world. Both in a material and in an intellectual point of view it has
produced, and is designed to produce, immense changes--vast social
ameliorations, and vast alterations in the popular conception of the
origin, rule, and governance of natural things. By science, in the
physical world, miracles are wrought; while philosophy is forsaking its
ancient metaphysical channels and pursuing others which have been opened
or indicated by scientific research. This must become more and more the
case as philosophical writers become more deeply imbued with the methods
of science, better acquainted with the facts which scientific men have won
and with the great theories which they have elaborated.
If you look at the face of a watch, you see the hour- and minute-hands,
and possibly also a second-hand, moving over the graduated dial. Why do
these hands move, and why are their relative motions such as they are
observed to be? These questions cannot be answered without opening the
watch, mastering its various parts, and ascertaining their relationship to
each other. When this is done, we find that the observed motion of the
hands follows of necessity from the inner mechanism of the watch, when
acted upon by the force invested in the spring.
The motion of the hands may be called a phenomenon of art, but the case is
similar with the phenomena of nature. These also have their inner
mechanism and their store of force to set that mechanism going. The
ultimate problem of physical science is to reveal this mechanism, to
discern this store, and to show that, from the combined action of both,
the phenomena of which they constitute the basis must of necessity flow.
Public-domain text, read in full here on John Shaqi.
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