The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
I thought that an attempt to give you even a brief and sketchy
illustration of the manner in which scientific thinkers regard this
problem would not be uninteresting to you on the present occasion; more
especially as it will give me occasion to say a word or two on the
tendencies and limits of modern science; to point out the region which men
of science claim as their own, and where it is mere waste of time to
oppose their advance; and also to define, if possible, the bourne between
this and that other region to which the questionings and yearnings of the
scientific intellect are directed in vain.
But here your tolerance will be needed. It was the American Emerson, I
think, who said that it is hardly possible to state any truth strongly
without apparent injustice to some other truth. Truth is often of a dual
character, taking the form of a magnet with two poles; and many of the
differences which agitate the thinking part of mankind are to be traced to
the exclusiveness with which partisan reasoners dwell upon one half of the
duality in forgetfulness of the other half. The proper course appears to
be to state both halves strongly, and allow each its fair share in the
formation of the resultant conviction. But this waiting for the statement
of the two sides of the question implies patience. It implies a resolution
to suppress indignation if the statement of the one half should clash with
our convictions, and to repress equally undue elation if the
half-statement should happen to chime in with our views. It implies a
determination to wait calmly for the statement of the whole, before we
pronounce judgment in the form of either acquiescence or dissent.
This premised and, I trust, accepted, let us enter upon our task. There
have been writers who affirmed that the pyramids of Egypt were the
productions of nature; and in his early youth Alexander von Humboldt wrote
a learned essay with the express object of refuting this notion. We now
regard the pyramids as the work of men's hands, aided probably by
machinery of which no record remains. We picture to ourselves the swarming
workers toiling at these vast erections, lifting the inert stones, and,
guided by the volition, the skill, and possibly at times by the whip, of
the architect, placing them in their proper positions. The blocks in this
case were moved and posited by a power external to themselves, and the
final form of the pyramid expresses the thought of its human builder.
Public-domain text, read in full here on John Shaqi.
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