The Voice of the City: Further Stories of the Four MillionHenry, O.
Philosophy
The Voice of the City: Further Stories of the Four Million
Henry, O.
New York (N.Y.) -- Social life and customs -- Fiction; Short stories
That night when the greetings and the supper were over, the entire
family, including Buff, the yellow dog, bestrewed itself upon the
front porch. Alicia, not haughty but silent, sat in the shadow
dressed in an exquisite pale-gray tea gown. Robert's mother
discoursed to her happily concerning marmalade and lumbago. Tom sat
on the top step; Sisters Millie and Pam on the lowest step to catch
the lightning bugs. Mother had the willow rocker. Father sat in the
big armchair with one of its arms gone. Buff sprawled in the middle
of the porch in everybody's way. The twilight pixies and pucks stole
forth unseen and plunged other poignant shafts of memory into the
heart of Robert. A rural madness entered his soul. The city was far
away.
Father sat without his pipe, writhing in his heavy boots, a sacrifice
to rigid courtesy. Robert shouted: "No, you don't!" He fetched the
pipe and lit it; he seized the old gentleman's boots and tore them
off. The last one slipped suddenly, and Mr. Robert Walmsley, of
Washington Square, tumbled off the porch backward with Buff on top of
him, howling fearfully. Tom laughed sarcastically.
Robert tore off his coat and vest and hurled them into a lilac bush.
"Come out here, you landlubber," he cried to Tom, "and I'll put grass
seed on your back. I think you called me a 'dude' a while ago. Come
along and cut your capers."
Tom understood the invitation and accepted it with delight. Three
times they wrestled on the grass, "side holds," even as the giants of
the mat. And twice was Tom forced to bite grass at the hands of the
distinguished lawyer. Dishevelled, panting, each still boasting of
his own prowess, they stumbled back to the porch. Millie cast a pert
reflection upon the qualities of a city brother. In an instant Robert
had secured a horrid katydid in his fingers and bore down upon her.
Screaming wildly, she fled up the lane, pursued by the avenging glass
of form. A quarter of a mile and they returned, she full of apology
to the victorious "dude." The rustic mania possessed him unabatedly.
"I can do up a cowpenful of you slow hayseeds," he proclaimed,
vaingloriously. "Bring on your bulldogs, your hired men and your
log-rollers."
He turned handsprings on the grass that prodded Tom to envious
sarcasm. And then, with a whoop, he clattered to the rear and brought
back Uncle Ike, a battered colored retainer of the family, with his
banjo, and strewed sand on the porch and danced "Chicken in the
Bread Tray" and did buck-and-wing wonders for half an hour longer.
Incredibly, wild and boisterous things he did. He sang, he told
stories that set all but one shrieking, he played the yokel, the
humorous clodhopper; he was mad, mad with the revival of the old life
in his blood.
He became so extravagant that once his mother sought gently to
reprove him. Then Alicia moved as though she were about to speak, but
she did not. Through it all she sat immovable, a slim, white spirit
in the dusk that no man might question or read.
Public-domain text, read in full here on John Shaqi.
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