The Voice of the City: Further Stories of the Four MillionHenry, O.
Philosophy
The Voice of the City: Further Stories of the Four Million
Henry, O.
New York (N.Y.) -- Social life and customs -- Fiction; Short stories
The next evening at seven the candy man came and rested his cart
under the window. But was it the candy man? His clothes were a bright
new check. His necktie was a flaming red, adorned by a glittering
horseshoe pin, almost life-size. His shoes were polished; the tan
of his cheeks had paled--his hands had been washed. The window was
empty, and he waited under it with his nose upward, like a hound
hoping for a bone.
Mademoiselle came, with Sidonie carrying her load of hair. She looked
at the candy man and smiled a slow smile that faded away into ennui.
Instantly she knew that the game was bagged; and so quickly she
wearied of the chase. She began to talk to Sidonie.
"Been a fine day," said the candy man, hollowly. "First time in a
month I've felt first-class. Hit it up down old Madison, hollering
out like I useter. Think it'll rain to-morrow?"
Mademoiselle laid two round arms on the cushion on the window-sill,
and a dimpled chin upon them.
"Candy man," said she, softly, "do you not love me?"
The candy man stood up and leaned against the brick wall.
"Lady," said he, chokingly, "I've got $800 saved up. Did I say you
wasn't beautiful? Take it every bit of it and buy a collar for your
dog with it."
A sound as of a hundred silvery bells tinkled in the room of
Mademoiselle. The laughter filled the alley and trickled back into
the court, as strange a thing to enter there as sunlight itself.
Mademoiselle was amused. Sidonie, a wise echo, added a sepulchral
but faithful contralto. The laughter of the two seemed at last to
penetrate the candy man. He fumbled with his horseshoe pin. At length
Mademoiselle, exhausted, turned her flushed, beautiful face to the
window.
"Candy man," said she, "go away. When I laugh Sidonie pulls my hair.
I can but laugh while you remain there."
"Here is a note for Mademoiselle," said Félice, coming to the window
in the room.
"There is no justice," said the candy man, lifting the handle of his
cart and moving away.
Three yards he moved, and stopped. Loud shriek after shriek came from
the window of Mademoiselle. Quickly he ran back. He heard a body
thumping upon the floor and a sound as though heels beat alternately
upon it.
"What is it?" he called.
Sidonie's severe head came into the window.
"Mademoiselle is overcome by bad news," she said. "One whom she loved
with all her soul has gone--you may have heard of him--he is Monsieur
Ives. He sails across the ocean to-morrow. Oh, you men!"
XIV
SQUARING THE CIRCLE
At the hazard of wearying you this tale of vehement emotions must be
prefaced by a discourse on geometry.
Nature moves in circles; Art in straight lines. The natural is
rounded; the artificial is made up of angles. A man lost in the snow
wanders, in spite of himself, in perfect circles; the city man's
feet, denaturalized by rectangular streets and floors, carry him ever
away from himself.
Public-domain text, read in full here on John Shaqi.
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