The Voice of the Machines: An Introduction to the Twentieth CenturyLee, Gerald Stanley
Philosophy
The Voice of the Machines: An Introduction to the Twentieth Century
Lee, Gerald Stanley
Machinery
Brim thinks that I have picked out more things to be beautiful than I
have a right to, or than any man has, and he is trying to put a stop
to it. He thinks that there are enough beautiful things in this world
that have been beautiful a long while, without having people--well,
people like me, for instance, poking blindly around among all these
modern brand-new things hoping that in spite of appearances there is
something one can do with them that will make them beautiful enough to
go with the rest. I'm afraid Brim gets a little personal in talking
with me at times and I might as well say that, while disagreeing in a
conversation with Brim does not lead to calling names it does seem to
lead logically to one's going away, and trying to find afterwards,
some thing that is the matter with him.
"The trouble with you, my dear Brim, is," I say (on paper, afterwards,
as the train speeds away), "that you have a false-classic or
Stucco-Greek mind. The Greeks, the real Greeks, would have liked all
these things--trolley cars, cables, locomotives,--seen the beautiful
in them, if they had to do their living with them every day, the way
we do. You would say you were more Greek than I am, but when one
thinks of it, you are just going around liking the things the Greeks
liked 3000 years ago, and I am around liking the things a Greek would
like now, that is, as well as I can. I don't flatter myself I begin to
enjoy the wireless telegraph to-day the way Plato would if he had the
chance, and Alcibiades in an automobile would get a great deal more
out of it, I suspect, than anyone I have seen in one, so far; and I
suspect that if Socrates could take Bliss Carman and, say, William
Watson around with him on a tour of the General Electric Works in
Schenectady they wouldn't either of them write sonnets about anything
else for the rest of their natural lives."
I can only speak for one and I do not begin to see the poetry in the
machines that a Greek would see, as yet.
But I have seen enough.
I have seen engineers go by, pounding on this planet, making it small
enough, welding the nations together before my eyes.
I have seen inventors, still men by lamps at midnight with a whirl of
visions, with a whirl of thoughts, putting in new drivewheels on the
world.
I have seen (in Schenectady,) all those men--the five thousand of
them--the grime on their faces and the great caldrons of melted
railroad swinging above their heads. I have stood and watched them
there with lightning and with flame hammering out the wills of cities,
putting in the underpinnings of nations, and it seemed to me me that
Bliss Carman and William Watson would not be ashamed of them ...
brother-artists every one ... in the glory ... in the dark ...
Vulcan-Tennysons, blacksmiths to a planet, with dredges, skyscrapers,
steam shovels and wireless telegraphs, hewing away on the heavens and
the earth.
II
HEWING AWAY ON THE HEAVENS AND THE EARTH
Public-domain text, read in full here on John Shaqi.
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