This story isn't about the pool of snow water; it is only partly about
Gitcheapolis. "Gitche" means great in the Indian language, and every one
knows what "apolis" means. There are a dozen cities in the
middle-western part of the United States just like it--with Indian
names, with muddy, snow-water pools, with slow rivers in which only mud
cat live--utterly surrounded by endless fields that slope levelly and
evenly to a drab horizon. And because that land is what it is, because
there are such cities as Gitcheapolis, there has sprung up in this
decade a far-seeing breed of men. They couldn't help but learn to see
far, on such prairies. And, like little Dan by the pool, they did all
their hunting and their fishing and exercised many of the instincts that
a thousand generations of wild men had instilled in them, in their
dreams alone. It was great exercise for the imagination. And perhaps
that has had something to do with the size of the crop of writers and
poets and artists that is now being harvested in the Middle West.
Except for the fact that it was the background for the earliest picture
of little Dan, the pool back of the courthouse has very little
importance in his story. It did, however, afford an illustration to him
of one of the really astonishing truths of life. He saw a shadow in the
water that he pretended he thought might be a fish. He threw a stone at
it.
The only thing that happened was a splash, and then a slowly widening
ripple. The circumference of the ripple grew ever larger, extended and
widened, and finally died at the edge of the shore. It set little Dan to
thinking. He wondered if, had the pool been larger, the ripple still
would have spread; and if the pool had been eternity, whether the ripple
would have gone on forever. At the time he did not know the laws of
cause and effect. Later, when Gitcheapolis was great and prosperous and
no longer untidy, he was going to find out that a cause is nothing but a
rock thrown into a pond of infinity, and the ripple that is its effect
keeps growing and growing forever.
It is a very old theme, but the astonishment it creates is always new. A
man once figured out that if Clovis had spared one life that he
took--say that of the under-chief whose skull he shattered to pay him
for breaking the vase of Soissons--there would be to-day the same races
but an entirely different set of individuals. The effect would grow and
grow as the years passed. The man's progeny each in turn would leave his
mark upon the world, and the result would be--too vast to contemplate.
The little incident that is the real beginning of this story was of no
more importance than a pebble thrown into the snow-water pond; but its
effect was to remove the life of Dan Failing, since grown up, far out of
the realms of the ordinary.
Public-domain text, read in full here on John Shaqi.
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