The Voice of the PeopleGlasgow, Ellen Anderson Gholson
General
The Voice of the People
Glasgow, Ellen Anderson Gholson
Virginia -- Social life and customs -- Fiction
At the end of the wood the road came out upon the open again, and in
the distance Nicholas could see, like burnished squares, the windows of
his father's house. Between the thicket and the house there was a long
stretch of clearing, which had been once planted in corn, and now
supported a headless army of dry stubble, amid a dull-brown waste of
broomsedge. The last pale vestige of the afterglow, visible across the
level country, swept the arid field and softened the harsh outlines of
the landscape. It was barren soil, whose strength had been exhausted
long since by years of production without returns, tilled by hands that
had forced without fertilising. There was now grim pathos in its
absolute sterility, telling as it did of long-gone yields of grain and
historic harvests.
Nicholas skirted the waste, and was turning into the pasture gate on the
opposite side of the road, when he heard the shrill sound of a voice
from the direction of the house.
"Nick!--who--a Nick!"
On one of the cedar posts of the fence of the cow-pen he discerned the
small figure and green cotton frock of his half-sister, Sarah Jane, who
was shouting through her hollowed palms to increase the volume of sound.
"I say, Nick! The she-ep hev' been driv-en u-p! Come to sup-per!"
She vanished from the post and Nicholas ran up the remainder of the road
and swung himself over the little gate which led into the small square
yard immediately surrounding the house. At the pump near the back door
his father, who had just come from work, was washing his hands before
going into supper, and near a row of pointed chicken coops the three
younger children were "shooing" up the tiny yellow broods. The yard was
unkempt and ugly, run wild in straggling ailanthus shoots and littered
with chips from the wood-pile.
As he entered the house he saw his stepmother placing a dish of fried
bacon upon the table, which was covered with a "watered" oilcloth of a
bright walnut tint. At her back stood Sarah Jane with a plate of corn
bread in one hand and a glass pitcher containing buttermilk in the
other. She was a slight, flaxen-haired child, with wizened features and
sore, red eyelids.
As his stepmother caught sight of him she stopped on her way to the
stove and surveyed him with sharp but not unkindly eyes.
"You've been takin' your time 'bout comin' home," she remarked, "an' I
reckon you're powerful hungry. You can sit down if you want to."
She was long and lean and withered, with a chronic facial neuralgia,
which gave her an irritable expression and a querulous voice. For the
past several years Nicholas had never seen her without a large cotton
handkerchief bound tightly about her face. She had been the boy's aunt
before she married his father, and her affection for him was proved by
her allowing no one to harry him except herself.
Public-domain text, read in full here on John Shaqi.
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