The Voice of the PeopleGlasgow, Ellen Anderson Gholson
General
The Voice of the People
Glasgow, Ellen Anderson Gholson
Virginia -- Social life and customs -- Fiction
He crossed to one of the tall windows, unfastening the heavy inside
shutters, from which the white paint was fast peeling away. As they fell
back a breeze filled the room, and the ivory faces of microphylla roses
stared across the deep window-seat. The place was airy as a summer-house
and odorous with the essence of roses distilled in the sunshine beyond.
On the high plastered walls, above the book-shelves, rows of bygone
Bassetts looked down on their departed possessions--stately and severe
in the artificial severity of periwigs and starched ruffles. They looked
down with immobile eyes and the placid monotony of past fashions,
smiling always the same smile, staring always at the same spot of floor
or furniture.
Below them the room was still hallowed by their touch. They asserted
themselves in the quaint curves of the rosewood chairs, in the blue
patterns upon the willow bowls, and in the choice lavender of the old
Wedgwood. Their handiwork was visible in the laborious embroideries of
the fire-screen near the empty grate, and the spinet in one unlighted
corner still guarded their gay and amiable airs.
"Sit down," said the judge. "I am at your service."
He seated himself before his desk of hand-carved mahogany, pushing aside
the papers that littered its baize-covered lid. In the half-gloom of the
high-ceiled room his face assumed the look of a portrait in oils, and he
seemed to have descended from his allotted square upon the plastered
wall, to be but a boldly limned composite likeness of his race, awaiting
the last touches and the gilded frame.
"What can I do for you?" he asked again, his tone preserving its
unfailing courtesy. He had not made an uncivil remark since the close of
the war--a line of conduct resulting less from what he felt to be due to
others than from what he believed to be becoming in himself.
The boy shifted on his bare feet. In the old-timed setting of the
furniture he was an alien--an anachronism--the intrusion of the
hopelessly modern into the helplessly past. His hair made a rich spot in
the colourless atmosphere, and it seemed to focus the incoming light
from the unshuttered window, leaving the background in denser shadow.
The animation of his features jarred the serenity of the room. His
profile showed gnome-like against the nodding heads of the microphylla
roses.
"There ain't nothin' in peanut-raisin'," he said suddenly; "I--I'd
ruther be a judge."
"My dear boy!" exclaimed the judge, and finished helplessly, "my dear
boy--I--well--I--"
They were both silent. The regular droning of the old clock sounded
distinctly in the stillness. The perfume of roses, mingling with the
musty scent from the furniture, borrowed the quality of musk.
The child was breathing heavily. Suddenly he dug the dirty knuckles of
one fist into his eyes.
"Don't cry," began the judge. "Please don't. Perhaps you would like to
run out and play with my boy Tom?"
"I warn't cryin'," said the child. "It war a gnat."
Public-domain text, read in full here on John Shaqi.
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