The Voyage of the Arrow to the China Seas.: Its Adventures and Perils, Including Its Capture by Sea Vultures from the Countess of Warwick, as Set Down by William Gore, Chief Mate — John Shaqi
The Voyage of the Arrow to the China Seas.: Its Adventures and Perils, Including Its Capture by Sea Vultures from the Countess of Warwick, as Set Down by William Gore, Chief MateHains, T. Jenkins (Thornton Jenkins)
General
The Voyage of the Arrow to the China Seas.: Its Adventures and Perils, Including Its Capture by Sea Vultures from the Countess of Warwick, as Set Down by William Gore, Chief Mate
“Sing ye, Jezebel, sing,” cried O’Toole, coming up panting with the
exertion of trying to break a topsail brace. “Sing, an’ stretch th’
line,” and he led off with “Whiskey Johnnie,” into which the rest roared
a chorus.
Four men grabbed the mainskysail halyard and sent the light yard
whisking up the masthead. The fellow who had loosed the sail had not
left the yard and was sent aloft along with it, the men below trying to
send him skyward with a rush.
Suddenly the halyard broke. The man on the yard gave a spring as it
dropped under him. He shot outward, fell headlong downward, and just as
we thought he would plunge headlong to the deck, a hundred feet below,
he reached the backstay with one hand. With a power born of desperation,
he grasped the line. His body swung around with the sweep of a
whip-lash, but he hung on. Then his other hand reached the stay, and he
slid quickly to the crosstrees. Down the ratlines he came on the run.
Reaching the lanyard, he sprang upon the deck and dashed into the crowd
of men who still stood gazing spellbound at his performance.
“Vat you do, hein? Vill you kill me, den?” he screamed, and he lashed
out with a right good-will, knocking two of the men down.
I saw O’Toole grinning, and as I was the mate, it was not my place to
see too much. The big Irishman would take care of the fracas when the
time came to interfere. I made my way around the deck-house out of
sight, and sent a man after a new halyard.
The moke in the galley was hard at it in an argument with the steward. I
saw and heard nothing. The work forward had been started, and all was
well.
CHAPTER IV.
I went aft on the quarter-deck where Captain Crojack stood eying the
towering cloud of snowy canvas, from the foot of the mainsail to the
skysail yards.
“By gorry, Mr. Gore,” said he, “we’ve got a good start, and if the wind
holds we’ll make a good offing during the night. I suppose you’ve met my
passengers before?” and he motioned toward Miss Waters and her mother
who stood near the companionway. They were apparently admiring
everything about the ship except her sudden lurches, which caused them
to make sundry clutches for support.
I bowed and spoke to them, but the young girl was so absorbed in the new
scene before her that she said little except that it was “perfectly
lovely,” while the mother began to show signs of paleness coupled with a
nervous catching of the breath at each roll of the ship.
“She’s got a good lively feel to her, don’t you think?” went on the
skipper, referring to his vessel. “The only thing that worried me was
the stowing of all that marble and stuff amidships, and so much iron in
her ends.”
As he spoke, the ship gave a jerk and tremble, throwing the sea from her
weather-bow in a smother and going through it like a half-tide rock in a
strong current.
Public-domain text, read in full here on John Shaqi.
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