Deutschland (Submarine); König, Paul, 1867-1933; World War, 1914-1918 -- Blockades
Our faithful companion now approaches nearer; her crew give us three
hearty cheers; the officers on the bridge salute; and we two lonely men
on the tower return the salute. Then the little black boat ducks into
the sea, makes a beautiful turn, stirring up the foaming water at her
keel, grows smaller and smaller, and presently disappears, leaving a
thin drifting smoke-flag behind her.
We are left to ourselves, and travel into the Unknown.
Not much time, however, is allowed for thinking. Danger now threatens
us from all sides, and I have to make certain that the boat is in good
trim, and that I have the engines and submerging appliances well in
hand.
I give the command, "Clear everything for a submerging test!"
At once the response comes back from conning-tower and control-room, and
the crew hurry to their submerging stations. The oil engines are still
throbbing and hammering. Then the alarm bell is sounded and I spring
into the conning-tower; the hatches are closed, and at the same time the
oil engines cease working.
For a moment one is conscious of a slight pressure in the ears; we are
shut up from outside and all is still, but there is no real silence;
only a change of sound.
Then comes the command:
"Open the submerging valves!"
"Flood!"
What now follows is so strangely impressive that one could never forget
it, once having experienced it. The submerging valves are quickly
opened, and with a hiss the compressed air rushes out of the tanks.
A gigantic volume of air rises, with such an unearthly snorting and
blowing that the pressure in one's ears becomes almost painful. Then
the noise becomes more even, and is followed by a loud humming and
whistling, and all the high notes of the machinery in the engine-room
join together and produce a confusion of sounds.
It is like the strains of some mad, diabolical music that, after the
dull, heavy hammering of the oil engines, gives a momentary impression
of unearthliness that is at once penetrating and impressive.
This noise in the valves is a sign that the submerging mechanism is at
work.
The music continues, but in a long downward scale, and during these long
drawn out, ever-deepening sounds, one has a bodily feeling as of the
rushing in and flooding of mighty masses of water. One seems oneself to
grow heavier and to sink with the boat.
Through the window of the conning-tower and by the aid of the periscope
it is now possible to observe how the front part of the boat is sinking;
the railings are cutting their foaming way through the waves, while the
water round the conning-tower rises higher and higher, till everything
outside is wrapped in the wonderful twilight of the deep.
Only our faithful lamps are shining. Now it has indeed become silent.
The only sound that reaches the ears is the soft swaying rhythm of the
electric engines.
Then comes the command:
"Go down to eleven fathoms!"
"Both engines half-steam ahead!"
Public-domain text, read in full here on John Shaqi.
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