The staff man on duty had gone to the installation's kitchen for a cup
of coffee. No sound originated in the room, unless one counted the
fluttering of a piece of weighted-down paper on the desk. Outside,
palm trees whispered and rustled their long fronds in the southeast
trade wind under a sky full of glittering stars. Beyond, there was
the dull booming of surf upon the barrier reef of the island. But the
instruments made no sound. Only the tape reels moved.
The signals began abruptly. They came out of a speaker and were
instantly recorded. They were elfin and flutelike and musical. They
were crisp and distinct. They did not form a melody, but nearly all the
components of melody were there. Pure musical notes, each with its own
pitch, all of different lengths, like quarter-notes and eighth-notes
in music. The sounds needed only rhythm and arrangement to form a
plaintive tune.
Nothing happened. The sounds continued for something over a minute.
They stopped long enough to seem to have ended. Then they began again.
When the staff man came back into the room with a coffee cup in his
hand, he heard the flutings instantly. His jaw dropped. He said, "What
the hell?" and went to look at the instruments. He spilled some of his
coffee when he saw their readings.
The tracking dials said that the signals came from a stationary source
almost directly overhead. If they were from a stationary source,
no plane was transmitting them. Nor could they be coming from an
artificial satellite. A plane would move at a moderate pace across the
sky. A satellite would move faster. Much faster. This source, according
to the instruments, did not move at all.
The staff man listened with a blank expression on his face. There was
but one rational explanation, which he did not credit for an instant.
The reasonable answer would have been that somebody, somewhere, had put
a satellite out into an orbit requiring twenty-four hours for a circuit
of the earth, instead of the ninety to one-hundred-twenty-four-minute
orbits of the satellites known to sweep around the world from west
to east and pole to pole. But the piping, musical sounds were not
the sort of thing that modern physicists would have contrived to
carry information about cosmic-particle frequency, space temperature,
micrometeorites, and the like.
The signals stopped again, and again resumed. The staff man was
galvanized into activity. He rushed to waken other members of the
outpost. When he got back, the signals continued for a minute and
stopped altogether. But they were recorded on tape, with the instrument
readings that had been made during their duration. The staff man played
the tape back for his companions.
They felt as he did. These were signals from space where man had never
been. They had listened to the first message ever to reach mankind from
the illimitable emptiness between the stars and planets. Man was not
alone. Man was no longer isolated. Man....
Public-domain text, read in full here on John Shaqi.
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