The Wampanoags in the seventeenth century : $b An ethnohistorical surveyMarten, Catherine
History
The Wampanoags in the seventeenth century : $b An ethnohistorical survey
Marten, Catherine
Indians of North America -- New England -- History -- 17th century; Wampanoag Indians
There were other, less popular, styles of shell beads and
beadwork.[221] Sometimes small discoidal beads (probably quahog and
periwinkle) were used instead of the tubular wampum for beadwork, as
necklaces, bracelets, and hair ornaments. Like wampum, these beads
were white and purple in color.[222] There were also large tubular
shell beads that were strung for necklaces.[223]
Bone and seeds were also used for beads,[224] and early explorers
report necklaces of variously colored stones.[225]
Besides jewelry, the Wampanoags used painting and tattooing as means
of personal adornment. Tattooing was done by two techniques. A sharp
instrument was used to pierce and lift a small area of skin, and
black pigment was inserted into the wound. By repeating these small
incisions close together, decorative lines were formed. This form
of tattooing was done on the cheeks; the patterns were zoomorphic
“... as Beares, Deares, Mooses, Wolves, &c., some of fowls, as of
Eagles, Hawkes, &c....”[226] The other technique of tattooing was
accomplished by “branding” with a hot iron. Geometrical shapes were
applied to the arms and chest by this method.[227]
Body painting was done in red, yellow, white, and black. Red powder
was sometimes put onto the hair.[228] The body and hair were prepared
for painting by a thorough greasing; the grease provided a bond for
the pigment.[229] Different colors might be used on various sections
of the face, or a single color might be used for the whole face.[230]
Both men and women wore paint. Paint was worn for mourning, for war
ceremonial or festive occasions, and for games.[231] Warriors used
lurid coloring to make them appear more terrible to the enemy.[232]
Painting the face black, with soot and ashes, was a symbol of
mourning.[233] There were undoubtedly many other associations between
styles of painting and specific events or social groups, but they
were not recorded by seventeenth century observers.
=Hairdressing=: Of hairdressing, Lechford reported: “They cut their
haire of divers formes, according to their Nation or people so
that you may know a people by their cut....”[234] There was also
variation in hairstyle within the social group. An unmarried girl
could be distinguished from a married women by her hair style.[235]
At marriage, the women’s hair was cut off, and until her hair grew
back she wore a covering on her head.[236] A young man who was not
yet a warrior could be identified by his short haircut.[237] Further
variation noted among the adults of the same tribe may mean that
various kin groups used distinctive styles of hairdressing.[238]
Long hair was highly prized, and wearing the hair in a tight “pony
tail” was said to make it grow faster.[239] Hairdressing was a
daily activity which involved oiling and, according to one writer,
dyeing.[240]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account