The Wanderer; or, Female Difficulties (Volume 1 of 5) — John Shaqi
The Wanderer; or, Female Difficulties (Volume 1 of 5)Burney, Fanny
History
The Wanderer; or, Female Difficulties (Volume 1 of 5)
Burney, Fanny
France -- History -- Revolution, 1789-1799 -- Refugees -- Fiction; Historical fiction; Refugees -- Fiction; War stories
Divest, for a moment, the title of Novel from its stationary standard of
insignificance, and say! What is the species of writing that offers
fairer opportunities for conveying useful precepts? It is, or it ought
to be, a picture of supposed, but natural and probable human existence.
It holds, therefore, in its hands our best affections; it exercises our
imaginations; it points out the path of honour; and gives to juvenile
credulity knowledge of the world, without ruin, or repentance; and the
lessons of experience, without its tears.
And is not a Novel, permit me, also, to ask, in common with every other
literary work, entitled to receive its stamp as useful, mischievous, or
nugatory, from its execution? not necessarily, and in its changeless
state, to be branded as a mere vehicle for frivolous, or seductive
amusement? If many may turn aside from all but mere entertainment
presented under this form, many, also, may, unconsciously, be allured by
it into reading the severest truths, who would not even open any work of
a graver denomination.
What is it that gives the universally acknowledged superiority to the
epic poem? Its historic truth? No; the three poems, which, during so
many centuries, and till Milton arose, stood unrivalled in celebrity,
are, with respect to fact, of constantly disputed, or, rather,
disproved authenticity. Nor is it even the sweet witchery of sound; the
ode, the lyric, the elegiac, and other species of poetry, have risen to
equal metrical beauty:--
'Tis the grandeur, yet singleness of the plan; the never broken, yet
never obvious adherence to its execution; the delineation and support of
character; the invention of incident; the contrast of situation; the
grace of diction, and the beauty of imagery; joined to a judicious
choice of combinations, and a living interest in every partial detail,
that give to that sovereign species of the works of fiction, its
glorious pre-eminence.
Will my dear Father smile at this seeming approximation of the
compositions which stand foremost, with those which are sunk lowest in
literary estimation? No; he will feel that it is not the futile
presumption of a comparison that would be preposterous; but a fond
desire to separate,--with a high hand!--falsehood, that would deceive to
evil, from fiction, that would attract another way;--and to rescue from
ill opinion the sort of production, call it by what name we may, that
his daughter ventures to lay at his feet, through the alluring, but
awful tribunal of the public.
He will recollect, also, how often their so mutually honoured Dr Johnson
has said to her, 'Always aim at the eagle!--even though you expect but
to reach a sparrow!'
Public-domain text, read in full here on John Shaqi.
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