The Wanderer; or, Female Difficulties (Volume 1 of 5)Burney, Fanny
History
The Wanderer; or, Female Difficulties (Volume 1 of 5)
Burney, Fanny
France -- History -- Revolution, 1789-1799 -- Refugees -- Fiction; Historical fiction; Refugees -- Fiction; War stories
While thus her fellow-performers surrounded the Incognita, Harleigh,
alone, held back, absorbed in contemplating the fine form, which a
remarkably light and pretty robe, now first displayed; and the beautiful
features, and animated complexion, which were set off to their utmost
lustre, by the waving feathers, and artificial flowers, which were woven
into her soft, glossy, luxuriant brown hair. But though he forbore
offering her any compliments, he no sooner observed that she was seized
with a sudden panic, upon a servant's announcing, that the expected
audience, consisting of some of the principal families of Sussex, was
arrived, than he addressed, and endeavoured to encourage her.
'I am aware, Sir,' she said, 'that it may seem rather like vanity than
diffidence, for one situated as I am to feel any alarm; for as I can
have raised no expectations, what have I to fear from giving any
disappointment? Nevertheless, now the time is come, the attempt grows
formidable. It must seem so strange--so wond'rous strange,--to those who
know not how little my choice has been consulted--'
She was interrupted, for all was ready; and Harleigh was summoned to
open the piece, by the famous question, 'Why did I marry?'
The fright which now had found its way into the mind of the new Lady
Townly, augmented every moment till she appeared; and it was then so
great, as nearly to make her forget her part, and occasion what,
hesitatingly, she was able to utter, to be hardly audible, even to her
fellow-performers. The applause excited by her beauty, figure, and
dress, only added to her embarrassment. She with difficulty kept to her
post, and finished her first scene with complete self-discontent.
Elinor, who watched her throughout it, lost all admiration of her
exterior attractions, from contempt of her feeble performance.
But her second scene exhibited her in another point of view; her
self-displeasure worked her up to exertions that brought forth the
happiest effects; and her evident success produced ease, by inspiring
courage. From this time, her performance acquired a wholly new
character: it seemed the essence of gay intelligence, of well bred
animation, and of lively variety. The grace of her motions made not only
every step but every turn of her head remarkable. Her voice modulated
into all the changes that vivacity, carelesness, pride, pleasure,
indifference, or alarm demanded. Every feature of her face spoke her
discrimination of every word; while the spirit which gave a charm to the
whole, was chastened by a taste the most correct; and while though
modest she was never awkward; though frightened, never ungraceful.
Public-domain text, read in full here on John Shaqi.
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