The Wanderer; or, Female Difficulties (Volume 1 of 5)Burney, Fanny
History
The Wanderer; or, Female Difficulties (Volume 1 of 5)
Burney, Fanny
France -- History -- Revolution, 1789-1799 -- Refugees -- Fiction; Historical fiction; Refugees -- Fiction; War stories
A performance such as this, in a person young, beautiful, and wholly
new, created a surprize so powerful, and a delight so unexpected, that
the play seemed soon to have no other object than Lady Townly, and the
audience to think that no other were worth hearing or beholding; for
though the politeness exacted by a private representation, secured to
every one an apparent attention, all seemed vapid and without merit in
which she was not concerned; while all wore an air of interest in which
she bore the smallest part; and she soon never spoke, looked, nor moved,
but to excite pleasure, admiration, and applause, amounting to rapture.
Whether this excellence were the result of practice and instruction, or
a sudden emanation of general genius, accidentally directed to a
particular point, was disputed by the critics amongst the audience; and
disputed, as usual, with the greater vehemence, from the impossibility
of obtaining documents to decide, or direct opinion. But that which was
regarded as the highest refinement of her acting, was a certain air of
inquietude, which was discernible through the utmost gaiety of her
exertions, and which, with the occasional absence and sadness, that had
their source in her own disturbance, was attributed to deep research
into the latent subjects of uneasiness belonging to the situation of
Lady Townly. This, however, was nature, which would not be repressed;
not art, that strove to be displayed.
But no pleasure excited by her various powers, approached to the
pleasure which they bestowed upon Harleigh, who could look at, could
listen to her alone. To himself, he lost all power of doing justice;
wrapt up in the contemplation of an object thus singular, thus
excelling, thus mysterious, all ambition to personally shining was
forgotten. He could not fail to speak his part with sense and feeling;
he could not help appearing fashioned to represent a man of rank and
understanding; but that address which gives life and meaning to every
phrase; that ingenuity, which beguiles the audience into an illusion,
which, for the current moment, inspires the sympathy due to reality;
that skill which brings forth on the very instant, all the effect which,
to the closet reader, an author can hope to produce from reflection;
these, the attributes of good acting, and for which his taste, his
spirit, and his judgment all fitted him, were now, from slackened
self-attention, beyond his reach, though within his powers. At a public
theatre, such an actress might have proved a spur to have urged the
exertions of competition; in this private one, where success, except to
vanity, was unimportant, her merit was, to Harleigh, an absorbent that
occupied, exclusively, all his faculties.
Public-domain text, read in full here on John Shaqi.
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