The Wanderer; or, Female Difficulties (Volume 4 of 5)Burney, Fanny
History
The Wanderer; or, Female Difficulties (Volume 4 of 5)
Burney, Fanny
France -- History -- Revolution, 1789-1799 -- Refugees -- Fiction; Historical fiction; Refugees -- Fiction; War stories
This was not a circumstance to escape Harleigh, who, indescribably
touched, fervently exclaimed, 'And what, now, shall sunder us? Pardon my
presumption if I say us! What is the power,--the earthly power,--while
yet I live, and breathe, and feel, that can now compel me to give up the
rights with which, from this decisive moment, I hold myself invested?
No! our destinies are indissolubly united!--All procrastination,--all
concealment must be over! They would now be literally distracting. Why,
then, that start?--Why that look?--Can you regret having shewn a little
feeling?--a trait of sensibility?--O put a period to this unequalled,
unexampled mystery! I am yours! faithfully, honourably yours! Yours to
the end of my mortal existence; yours, by my most sacred hopes, far, far
longer!--You weep?--not from grief, I trust,--I hope,--not from grief
flow those touching tears? Open to me your situation,--your heart! Here,
on this sacred, and henceforth happiest spot, where first you have
accorded me a ray of hope, let our mutual vows be plighted to all
eternity!'
Juliet, whose whole soul seemed dissolved in poignant yet tender
distress, cast up to heaven, as if imploring for aid, her irresistibly
streaming eyes; when, caught by some shadowy motion to turn them towards
the church, she fancied that she beheld again the female, whose
appearance and vanishing had been forgotten from the excess of her own
emotions.
Startled, she looked more earnestly, and then clearly perceived, though
half hidden behind a monument, a form in white; whose dress appeared to
be made in the shape, and of the materials, used for our mortal
covering, a shroud. A veil of the same stuff fell over the face of the
figure, of which the hands hung down strait at each lank side.
Struck with awe and consternation, Juliet involuntarily ceased her
struggles for freedom; and Harleigh, who saw her strangely moved,
pursuing the direction of her eyes, discerned the object by which they
had been caught; who now, slowly raising her right hand, waved to them
to follow; while, with her left, she pointed to the church, and,
uttering a wild shriek, flitted out of sight.
Could it be Elinor? Each felt at the same instant the same terrible
apprehension. Harleigh sprang after her; Juliet, almost petrified with
affright, was immovable.
The fugitive entered the church, and darted towards the altar; where she
threw her left hand over a tablet of white stone, cut in the shape of a
coffin, with the action of embracing it; yet in a position to leave
evident the following inscription:
'This Stone
Is destined by herself to be the last kind covering
of all that remains of
ELINOR JODDREL:
Who, sick of Life, of Love, and of Despair,
Dies to moulder, and be forgotten.'
Public-domain text, read in full here on John Shaqi.
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