The war drama of the Eagles : $b Napoleon's standard-bearers on the battlefield in victory and defeat from Austerlitz to Waterloo, a record of hard fighting, heroism, and adventureFraser, Edward
History
The war drama of the Eagles : $b Napoleon's standard-bearers on the battlefield in victory and defeat from Austerlitz to Waterloo, a record of hard fighting, heroism, and adventure
Fraser, Edward
France -- History, Military; Napoleon I, Emperor of the French, 1769-1821 -- Military leadership; Napoleonic Wars, 1800-1815 -- Campaigns
The heavy firing of salvos of artillery soon after dawn, from a dozen
points all over Paris, ushered in the day’s doings. The whole city was
already, as has been said, astir and in the streets, making its way
to the Champ de Mars. Everywhere dark columns of cloaked soldiers,
horse and foot, artillerymen without their guns, were tramping along
through the slush and mud for their posts; some to take part on the
route of the procession, which was to start from the Tuileries; most
of them bound for the Field of Mars. Along the streets to be passed by
the Imperial procession the houses were gaily decked out with festoons
and branches of evergreens, or with coloured hangings and drapings.
Oriental rugs of gorgeous hues and patterns, hired or borrowed for the
Coronation week, hung from most of the windows; they were the favourite
form of decoration. Here and there flags were seen, but it was not the
fashion in Paris at that day to fly flags largely on days of public
rejoicing.
At ten o’clock the cannon again thundered out an Imperial salute--a
hundred and one guns. All knew what that was for, and there was a hush
of expectation all over Paris. The guns meant that the Emperor had
started; that the Imperial State procession had left the Tuileries.
At that moment the chilly drizzle of sleet was still coming down, but
the universal enthusiasm rose superior to the wet and cold. No weather
could damp the anticipations of the excited Parisians over the Imperial
spectacle.
[Sidenote: MURAT COMMANDS THE PARADE]
On the Champ de Mars, as the guns began to fire, the soldiers--all long
since in their places drawn up in closely massed columns, that ranged
right round the parade ground on three sides--stripped off and rolled
up their soaked cloaks, fixed bayonets, and stood to arms. Murat,
Governor of Paris, Commander-in-Chief on the parade, took post in
front of the Imperial Pavilion before the Ecole Militaire: a gorgeous
figure in a bright blue velvet uniform coat, resplendently embroidered
with gold, a lilac sash with crimson stripes round his waist; in
scarlet breeches braided with gold, purple leather Hessians, trimmed
and tasselled with gold, with gleaming gold spurs and sabre-scabbard;
wearing a Marshal’s cocked hat with crimson ostrich-plumes, and mounted
on a no less splendidly caparisoned charger, with leopard-skin and
crimson and gold saddle-trappings. A brilliant _entourage_ of staff
officers and dandy aides de camp, daintily attired in pearl-grey
uniforms, with silver lace, or in crimson and green and gold, clustered
in rear of their chief.
Simultaneously, the massed bands of the Imperial Guard, who had been
playing national airs and popular music at times during the past hour,
formed to the front near by.
Public-domain text, read in full here on John Shaqi.
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