The war drama of the Eagles : $b Napoleon's standard-bearers on the battlefield in victory and defeat from Austerlitz to Waterloo, a record of hard fighting, heroism, and adventureFraser, Edward
History
The war drama of the Eagles : $b Napoleon's standard-bearers on the battlefield in victory and defeat from Austerlitz to Waterloo, a record of hard fighting, heroism, and adventure
Fraser, Edward
France -- History, Military; Napoleon I, Emperor of the French, 1769-1821 -- Military leadership; Napoleonic Wars, 1800-1815 -- Campaigns
From the foot of the throne a grand staircase led down to the parade
ground, widening out with a curving sweep to either side at the foot.
It terminated there with, flanking the lower steps, two gilded statues,
designed to represent, the one, “France granting Peace,” the other,
“France making War.” From top to bottom of the stairs and extending
at the foot to right and left along either side, stood in rows the
colonels of the regiments on parade, together with the senior officers
of the National Guard, all awaiting the Emperor’s appearance on the
throne. Each bore the new Eagle standard to be presented to his own
corps. All were at their posts as the appointed moment neared, while at
the same time Murat and his attendant cavalcade of brilliantly bedecked
horsemen closed in and formed up in front, so as immediately to face
Napoleon.
On either hand of Murat were ranked the massed bands of the Imperial
Guard, flanked by two solid phalanxes of drummers, each a thousand
strong. Near by these were drawn up on horseback, on one side the
officers of the Head Quarters Staff at the War Office, on the other,
the staff officers of the army corps of the Marshals.
Napoleon and Josephine made their entry into the Grand Pavilion
heralded by a procession, the bands of the Guard playing the Coronation
March. Then, to the accompaniment of three successive shouts of “Vive
l’Empereur!” from the soldiers--the formal greeting to Napoleon
on parade, in accordance with Army regulation--the Emperor seated
himself on the throne. He was in full Imperial garb, wearing his
Imperial mantle of rich crimson velvet studded with golden bees, and
the Imperial crown, a golden laurel chaplet “after Charlemagne.” In
his right hand he bore the Imperial sceptre, a tall silver-gilt wand
with an eagle surmounting it, also designed, as they said, “after
Charlemagne.”
Seating himself with Josephine at his side, in her State robes and with
a magnificent crown of diamonds on her head, Napoleon gave the order
for the proceedings to begin.
Murat, as Governor of Paris, in immediate command of the parade, raised
his glittering marshal’s bâton. The bands of the Guard ceased playing
abruptly. The next moment the two thousand infantry drums began to
beat. It was the appointed signal for the detachments to advance and
form up in front of the throne.
At once, at the first roll of the drums, the soldiers ranged round the
ground began to move.
Public-domain text, read in full here on John Shaqi.
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