The war drama of the Eagles : $b Napoleon's standard-bearers on the battlefield in victory and defeat from Austerlitz to Waterloo, a record of hard fighting, heroism, and adventureFraser, Edward
History
The war drama of the Eagles : $b Napoleon's standard-bearers on the battlefield in victory and defeat from Austerlitz to Waterloo, a record of hard fighting, heroism, and adventure
Fraser, Edward
France -- History, Military; Napoleon I, Emperor of the French, 1769-1821 -- Military leadership; Napoleonic Wars, 1800-1815 -- Campaigns
It was an effective display of the lusty manhood of France, of the
pick of the Grand Army in its prime; not yet made _chair au canon_
to gratify the ambition of one man. A curious commingling, too, of
fighting costumes did the review present for the general spectators;
those of yesterday side by side with those of the coming time.
Three-fourths of the soldiers went by wearing the stiff Republican
garb of the expiring _régime_, as adopted hastily at the outset of
the Revolution: the long-skirted coat, cut after the old Royal Army
fashion, but blue in colour instead of white, and with white lapels
and turn-backs; long-flapped white waistcoats, white breeches, and
high black-cloth gaiters above the knee, such as their ancestors
had worn in the days of Marshal Saxe; the old-style big cocked hat,
worn cross-wise, or “en bataille,” as the soldiers called it, with
a flaunting tricolor cockade in front. The new Napoleonic style was
represented by the Imperial Guard and Oudinot’s Grenadier Division from
Arras and the Light Infantry battalions, whose turn out in smartly cut
coatees faced with red and green, with the tall broad-topped shakos
pictures of the time make us familiar with as the normal presentment of
the soldiers of the Empire, attracted special attention.[6]
During the March Past, Frimaire suddenly reasserted itself, and brought
about the regrettable incident that was to wind up the day.
The parade was three parts through, when, all of a sudden, a tremendous
downpour of cold rain set in, discomfiting and scattering all who
were looking on. With the drenching effect of a shower-bath the rain
commenced to pour down in torrents, causing an immediate stampede
among the general public. The rearmost columns of the soldiers had to
pass before empty benches, tramping along stolidly through the mud,
“splashing ankle-deep through a sea of mud,” as an officer put it.
[Sidenote: THE SPECTATORS DISAPPEAR]
The spectators one and all disappeared. The immense crowd of sightseers
left the benches on the embankment round the Champ de Mars, and fled
home _en masse_. The seat-holders on the open stands in front of the
Ecole Militaire scurried off in like manner. The occupants of the
pavilions and galleries, half drowned by the water that streamed down
on them through the awnings, quitted their places in haste to seek
shelter within the building. The downpour saturated the canopy of the
Imperial Pavilion and dripped through. It compelled Josephine to get up
from her throne and hurry indoors. The Princesses promptly followed the
Empress’s example, all except one--Napoleon’s youngest sister, Caroline
Murat. Caroline sat the March Past out to the end, together, of course,
with Napoleon himself and the Marshals, and those Court officials who
had to stay where they were. Soaked through, she smilingly remarked
that she was “accustoming herself to endure the inconveniences
inseparable from a throne!”
Then, at the close of the review, came the _contretemps_.
Public-domain text, read in full here on John Shaqi.
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