The War with Mexico, Volume 1 (of 2)Smith, Justin Harvey
History
The War with Mexico, Volume 1 (of 2)
Smith, Justin Harvey
Mexican War, 1846-1848
This reminds us of duty; and, electing the cathedral in preference to
sixty other churches, we enter. Before us is a great throng, chiefly
women and léperos, of most devout worshippers. The finest ladies in
the city are here, dressed all in black, with no ornaments except
a silk mantilla, edged with lace, and a high tortoise-shell comb;
and they kneel humbly beside the drudge or the beggar. The church
itself--designed in the Spanish style, which places the choir in the
middle of the nave and a balustraded walk between that and the great
altar--with a cloud of incense filling the air and many hundreds
of candles gleaming murkily from the shrines, is most mysterious
and impressive. The gorgeousness of the sacred ornaments amazes us.
Literally tons of silver are in sight; gold, precious stones and gems
abound; and magnificent vestments try to hide the vulgar priests. But
the splendor is oppressive, and the stench of the léperos intolerable;
let us return to the light of day.[1.8]
All the streets are laid out at right angles, and most of the houses
that line them are in two stories, of which the lower one is reserved
for horses, carriages, servants, cows and storage; and the walls, built
of rough stone, are very thick. The outside is usually frescoed in
white, orange, blue, red or pale green, and often adorned with pious
verses or biblical texts. Entering the big double gateway, we find
ourselves in a courtyard, upon which doors and grated windows open; and
we observe that a covered balcony of wrought iron or possibly bronze,
reached by a central stairway and giving access to the rooms of the
second story, is built round it. In many courtyards there are flowers
and a fountain, and sometimes there are trees. Occasionally we find
what looks like a grandee's residence, for Mexico was called in the
Spanish time a city of palaces, and some of these residences, built of
superior stone, equipped with gilded balconies and stairs, adorned with
artistic sculptures, and perhaps decorated with Dutch tiles in blue and
white, have survived in a fair condition the ruin of fortunes and the
disappearance of titles; but at their best they were always imperfect,
reminding one of the golden image with clay feet, and now most of them
are dilapidated.[1.8]
Public-domain text, read in full here on John Shaqi.
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