The War with Mexico, Volume 1 (of 2)Smith, Justin Harvey
History
The War with Mexico, Volume 1 (of 2)
Smith, Justin Harvey
Mexican War, 1846-1848
where passionate men and women grow up in traditions of idleness and
self-indulgence they can hardly be expected, especially with the
bad example of their priests before them, to be distinguished for
self-restraint.[1.8]
Meanwhile, are the common people at home knitting? Let us walk back to
the cathedral. The full moon is out. Almost above us rise the powerful
towers against the clear firmament, and on our left is the palace,
filling one whole side of the square with its numberless balconies
and windows, while in front spreads the great plaza, glittering with
innumerable lights against the shadowy arcades that fill the opposite
side. The sky is a soft, pale blue; and the stars, fading near the
brilliant moon, appear like dust raised by her chariot wheels. Under the
trees on our right a huge serpent, the scales of which are human beings,
turns, winds, bends, parts and rejoins in a circular promenade.[1.8]
Some occupy themselves with prosaic thoughts,--business, politics
or social events--and a few talk of science and poetry. Yonder goes
a millionaire, a real king of gold, at sight of whom all hats come
off, while all eyes court his glance; but another, who passes with
a triumphant step and bold gestures, appears to the crowd a greater
man, for he is the king of the sword, the king of the bull-ring, the
_matador_. But most, perhaps, are talking and thinking of love and of
pleasure. Furtive but meaning glances are often exchanged; occasionally
hand presses hand under the folds of the cloak; at times a few
mysterious words pass quickly; now and then one sees a pretty woman
on the arm of her bold lover, showing herself proudly to the world,
while the husband follows on behind as best he can; and here and there
a scowling, discarded friend looks out from behind a post with a knife
clutched behind him.
Would you like to see a little more? Then visit the Barrio Santa Anna,
and watch men with bloodshot eyes and women in red petticoats and loose,
open chemisettes dancing a wild fandango, or plunge into a lépero's
dive and watch the pariahs gambling sedately with a bloody knife on the
table before them, while down in one corner a crouching woman moans and
mutters over a prostrate figure. But how lightly all is done, even the
tragedies, compared with northern depth and seriousness. In a sense we
feel we are observing children.[1.8]
Public-domain text, read in full here on John Shaqi.
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