Hiram's Hospital, as the retreat is called, is a picturesque building
enough, and shows the correct taste with which the ecclesiastical
architects of those days were imbued. It stands on the banks of the
little river, which flows nearly round the cathedral close, being on
the side furthest from the town. The London road crosses the river
by a pretty one-arched bridge, and, looking from this bridge, the
stranger will see the windows of the old men's rooms, each pair of
windows separated by a small buttress. A broad gravel walk runs
between the building and the river, which is always trim and cared
for; and at the end of the walk, under the parapet of the approach to
the bridge, is a large and well-worn seat, on which, in mild weather,
three or four of Hiram's bedesmen are sure to be seen seated. Beyond
this row of buttresses, and further from the bridge, and also further
from the water which here suddenly bends, are the pretty oriel windows
of Mr Harding's house, and his well-mown lawn. The entrance to the
hospital is from the London road, and is made through a ponderous
gateway under a heavy stone arch, unnecessary, one would suppose, at
any time, for the protection of twelve old men, but greatly conducive
to the good appearance of Hiram's charity. On passing through this
portal, never closed to anyone from 6 A.M. till 10 P.M., and never
open afterwards, except on application to a huge, intricately hung
mediæval bell, the handle of which no uninitiated intruder can
possibly find, the six doors of the old men's abodes are seen, and
beyond them is a slight iron screen, through which the more happy
portion of the Barchester elite pass into the Elysium of Mr Harding's
dwelling.
Mr Harding is a small man, now verging on sixty years, but bearing few
of the signs of age; his hair is rather grizzled, though not gray;
his eye is very mild, but clear and bright, though the double glasses
which are held swinging from his hand, unless when fixed upon his
nose, show that time has told upon his sight; his hands are delicately
white, and both hands and feet are small; he always wears a black
frock coat, black knee-breeches, and black gaiters, and somewhat
scandalises some of his more hyperclerical brethren by a black
neck-handkerchief.
Public-domain text, read in full here on John Shaqi.
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