In the light of all these circumstances, it is no wonder that Philip II hesitated long before giving his consent to an interview with Catherine de Medici.[957] Even then he imposed a number of conditions and regulations. He would not go in person to Bayonne—the place appointed; his wife was to be accompanied by the duke of Alva; display was to be avoided by either side both for motives of economy and to prevent having undue political significance attached to an interview which was to be understood to be purely personal. Philip II’s most striking regulations, however, were those which had to do with the French _entourage_. No one in the least tainted with heresy was to accompany the court. The queen of Navarre, whom the Spanish King carefully alluded to as “Madame de Vendôme,” the prince of Condé, the admiral, and the cardinal Châtillon were specifically named with abhorrence. The queen mother acquiesced in this prohibition, save in the case of the prince of Condé, protesting that, on account of his rank, it would give great offense to forbid his presence, as well as create belief among the Huguenots that the meeting contemplated something disadvantageous to them. History has shown that Catherine’s instincts were perfectly right in this particular; since after the massacre of St. Bartholomew the Huguenots—indeed almost the whole Protestant world—jumped to the conclusion that that disaster was preconcerted at Bayonne. In vain St. Sulpice argued political expediency, saying France and Spain must not be judged alike, and that “experience had proved that the way of arms had resulted in more dangers than profit to France.” Philip II’s answer was metallically hard; he would not consent to the presence either of Jeanne d’Albret or the prince of Condé at Bayonne, because it would be a reproach to him and to Spain for his wife to have had converse with a heretic.[958] The last stage of Charles IX’s long tour of the provinces was from Bordeaux[959] to Bayonne[960] where the French court arrived on May 22, 1565. But that indolence of spirit which is so much associated with Spanish character seems as early as the sixteenth century to have become habitual,[961] so that the Spanish queen was forced to travel in the heat (six soldiers of Strozzi’s band died with their armor on from heat prostration), which aggravated the plague prevailing in certain parts.[962]