The cumbering tools of industry, the cranes with creaking ropes, the
scaffolding, at last have disappeared, and stands revealed a wondrous
work of art: A sturdy sculptured basal edifice where bronze and marble
tell of noble aspirations worthily achieved; where frieze and pediment
in low relief bespeak the glory of the greatest cause man ever
struggled to maintain. Within, resplendent walls with iridescent
colors where the artist's brush takes up the tale that architect and
sculptor have begun; and rivalling these the silken folds of flags,
emblems of all the nations that stood shoulder to shoulder in the great
emprise. And from this basal structure, the soaring shaft, compact of
grace and beauty, lithe yet strong, firm footed on the earth yet
reaching heavenward, well typifies the spirit of the men who risked
their all to save the world from slavery.
The sun has set behind light banks of cloud and hung the stage with
ruddy tapestries whose gorgeous reds and golds are interspersed with
turquoise. But even while the throng in wonderment looks on, change
follows change, the gold to topaz quickly melts, the roseate clouds
are all empurpled, and the turquoise sky gives way to grays such as
delighted Whistler in his day. Then twilight, stars, and a pale young
moon, to play at hide and seek among the wisps of cloud whose silvery
sheen betrays her hiding place.
At last the hour has struck and all is hushed expectancy. All eyes are
lifted up to where a faintly lighted window in the tower gives forth
the one suggestion that some human agency is there. Hark! What is
that? A faint sweet sound that comes from out the sky as if the gates
of heaven had opened and let fall ethereal voices from a thousand
miles, so soft, the ear is strained to intercept them, and fancy is
half tempted to believe it all illusive and imagined melody. But now
it takes more shape, stands out more firm and clear; the ear becomes
more confident, and fancy yields to fact; it is indeed the carillon's
voice; the bells have come to life. No gasping natal cry is this, but
rather the soft stirring as of one that wakes from peaceful sleep.
Nearer and ever nearer, wave on wave, out of infinite distance seem to
come those far off melodies, drifting down and down as gently as drifts
the snow when winds are hushed, till at last the entire heavens seem
filled with one pulsating ecstasy of sound, then fades away into the
distance once again, till tower, bells, musician, forgotten one and
all, the music seems to come from mystic space behind yon bank of cloud
that lies athwart the moon. Again, a sound of trampling hosts of
mighty horsemen rushing down the heights as if to overwhelm the
listening multitude, those marvellous arpeggios galloping madly in
their course, now dance and prance, now rush impetuously, then lift and
fade to airy nothingness and silence.
Public-domain text, read in full here on John Shaqi.
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