221. This may not appear as exact as Sappho’s lines, but I had in mind the “longshore” or “dory” fisherman, who returns at nightfall. 253. V. Goldsmith, the song in _The Vicar of Wakefield_. 257. V. _The Tempest_, as above. 264. The interior of St. Magnus Martyr is to my mind one of the finest among Wren’s interiors. See _The Proposed Demolition of Nineteen City Churches_ (P. S. King & Son, Ltd.). 266. The Song of the (three) Thames-daughters begins here. From line 292 to 306 inclusive they speak in turn. V. _Götterdämmerung_, III. i: the Rhine-daughters. 279. V. Froude, _Elizabeth_, Vol. I, ch. iv, letter of De Quadra to Philip of Spain: “In the afternoon we were in a barge, watching the games on the river. (The queen) was alone with Lord Robert and myself on the poop, when they began to talk nonsense, and went so far that Lord Robert at last said, as I was on the spot there was no reason why they should not be married if the queen pleased.” 293. Cf. _Purgatorio_, v. 133: “Ricorditi di me, che son la Pia; Siena mi fe’, disfecemi Maremma.” 307. V. St. Augustine’s _Confessions_: “to Carthage then I came, where a cauldron of unholy loves sang all about mine ears.” 308. The complete text of the Buddha’s Fire Sermon (which corresponds in importance to the Sermon on the Mount) from which these words are taken, will be found translated in the late Henry Clarke Warren’s _Buddhism in Translation_ (Harvard Oriental Series). Mr. Warren was one of the great pioneers of Buddhist studies in the Occident. 309. From St. Augustine’s _Confessions_ again. The collocation of these two representatives of eastern and western asceticism, as the culmination of this part of the poem, is not an accident. V. WHAT THE THUNDER SAID In the first part of Part V three themes are employed: the journey to Emmaus, the approach to the Chapel Perilous (see Miss Weston’s book) and the present decay of eastern Europe. 357. This is _Turdus aonalaschkae pallasii_, the hermit-thrush which I have heard in Quebec County. Chapman says (_Handbook of Birds of Eastern North America_) “it is most at home in secluded woodland and thickety retreats. . . . Its notes are not remarkable for variety or volume, but in purity and sweetness of tone and exquisite modulation they are unequalled.” Its “water-dripping song” is justly celebrated. 360. The following lines were stimulated by the account of one of the Antarctic expeditions (I forget which, but I think one of Shackleton’s): it was related that the party of explorers, at the extremity of their strength, had the constant delusion