That night I shut myself in my rooms, barred my windows, drew my
curtains, and made a great destruction. All books or pictures which
recalled to me the moorlands were ruthlessly doomed. Novels, poems,
treatises I flung into an old box, for sale to the second-hand
bookseller. Some prints and water-colour sketches I tore to pieces with
my own hands. I ransacked my fishing-book, and condemned all tackle for
moorland waters to the flames. I wrote a letter to my solicitors,
bidding them go no further in the purchase of a place in Lorn I had long
been thinking of. Then, and not till then, did I feel the bondage of the
past a little loosed from my shoulders. I made myself a night-cap of
rum-punch instead of my usual whisky-toddy, that all associations with
that dismal land might be forgotten, and to complete the renunciation I
returned to cigars and flung my pipe into a drawer.
But when I woke in the morning I found that it is hard to get rid of
memories. My feet were still sore and wounded, and when I felt my arms
cramped and reflected on the causes, there was that black memory always
near to vex me.
In a little term began, and my duties--as deputy-professor of Northern
Antiquities--were once more clamorous. I can well believe that my
hearers found my lectures strange, for instead of dealing with my
favourite subjects and matters, which I might modestly say I had made my
own, I confined myself to recondite and distant themes, treating even
these cursorily and dully. For the truth is, my heart was no more in my
subject. I hated--or I thought that I hated--all things Northern with
the virulence of utter fear. My reading was confined to science of the
most recent kind, to abstruse philosophy, and to foreign classics.
Anything which savoured of romance or mystery was abhorrent; I pined
for sharp outlines and the tangibility of a high civilisation.
Public-domain text, read in full here on John Shaqi.
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