She leaned a little toward him, with one light hand palm downward on the
cushion of the sofa, and her small, rather square chin thrust forward in
a way that made her look suddenly intense.
"I'll try not to be like Mrs. Shiffney. I'll try not to make him feel
transparent."
"I'm not sure that you could," he said, smiling at her.
"How horrid of you to doubt my powers! Why, why will nobody believe I
have anything in me?"
She brought the words out with a force that was almost vicious. As she
said them it happened that Claude Heath turned a little. His eyes
travelled down the room and met hers. Perhaps her mother had just been
speaking to him of her, had been making some assertion about her. For he
seemed to look at her with inquiry.
When Charmian turned away her eyes from his she added to Max Elliot:
"But what does it matter? Because people, some people, can't see a
thing, that doesn't prove that it has no existence. And I don't really
care what people think of me."
"This--to your old friend!"
"Yes. And besides, I expect one must possess to discover."
Her voice was almost complacent.
"You deal in enigmas to-night."
"One ought to carry a light when one goes into a cave to seek for gold."
But Elliot would not let her see that he had from the first fully
understood her impertinence.
"Let us go back to the fire," he said. "Unless you are really afraid of
the heat. Let us hear what your mother and Heath are talking about."
"I'm not afraid of anything except a Te Deum."
"There's Mrs. Shiffney speaking to him. I don't think we shall have it
to-night."
"Then I'll venture to draw near," said Charmian, again assuming a
semblance of awe.
The minx was evidently uppermost in her as they approached the others.
She walked with a dainty slowness, a composed consciousness, that were
almost the least bit affected, and as she stood still for a minute close
to her mother, with her long eyes half shut, she looked typically of the
world worldly, languid, almost prettily disdainful.
Mrs. Shiffney was speaking of the concert of that afternoon with
discrimination and with enthusiasm.
"Of course he's a little monkey," she concluded, evidently alluding to
some artist. "But _what_ a little monkey! I was in the front row, and he
called my attention to everything he was going to do, sometimes in
Russian, sometimes in dreadful French, or in English that was really a
criminal offense, and very often with his right elbow. He has a way of
nudging the air in one's direction so that one feels it in one's side.
Animal magnetism, I suppose. And he begs for sympathy as if it were a
biscuit. Do you know him, Mr. Heath?"
"No, not at all. I know very few big artists."
"But all the young coming ones, I suppose? Did you study abroad?"
"I went to the Royal College at Kensington Gore."
Mrs. Shiffney, who was very cosmopolitan, had a flat in Paris, and was
more often out of England than in it, slightly raised her eyebrows.
"You haven't studied in France or Germany?"
Public-domain text, read in full here on John Shaqi.
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