"Why should I require preparation?"
"The new note!"
"Why should the new note require preparation against me?"
"I said for you. Possibly we may find out this evening. Besides Delia is
in a rest cure as usual. So there is no hostess."
Delia was Max Elliot's wife, a graceful nonentity who, having never done
a stroke of work in her life, was perpetually breaking down, and being
obliged to rest expensively under the supervision of fashionable
doctors. She was now in Hampstead, enclosed in a pale green chamber,
living on milk and a preparation called "Marella," and enjoying
injections of salt water. She was also being massaged perpetually by a
stout young woman from Sweden, and was deprived of her letters. "No
letters!" was a prescription which had made her physician celebrated.
"Oh, the peace of it!" Mrs. Elliot was faintly murmuring to the athletic
masseuse, at the very moment when Charmian said:
"There very seldom is a hostess. Poor Max Elliot!"
"He's accustomed to it. And Delia must be doing something. This time she
may be cured. Life originally issued from the sea, they say."
"Near Margate, I suppose. What a mystery existence is!"
"Are you going to be tiresome to-night?"
"No, I won't, I won't. But if he plays his Te Deum I know I shall sleep
like a tired child."
"I don't suppose he will."
"I feel he's going to."
"Then why were you so anxious to go?"
"I don't like to be left out of things. No one does."
"Except the elect. How thoughtful of you to dress in black!"
"Well, dearest, you are always in white. And I love to throw up my
beautiful mother."
Mrs. Mansfield put an arm gently round her as they left the dining-room.
"You could make any mother be a sister to you."
Just before ten their motor glided up to the Elliots' green door in
Cadogan Place.
Max Elliot was the very successful senior partner of an old-established
stockbroking firm in the City. This was a fact, so people had to accept
it. But acceptance was made difficult by his almost strangely
unfinancial appearance and manner. Out of the City he never spoke of the
City. He was devoted to the arts, and especially to music, of which he
had a really considerable knowledge. All prominent musicians knew him.
He was the friend of _prime donne_, a pillar of the opera, an ardent
frequenter of all the important concerts. Where Threadneedle Street came
into his life nobody seemed to know. Nevertheless, his numerous clients
trusted him completely as a business man. And more than one singer,
whose artistic temperament had brought her--or him, as the case might
be--to the door of the poorhouse, had reason to bless Max Elliot's
shrewd business head and generous industry in friendship. He had a good
heart as well as a fine taste, and his power of criticism had not
succeeded in killing his capacity for enthusiasm.
Public-domain text, read in full here on John Shaqi.
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