The first army that came were the wildest, boldest, and they plunged right away into the sin and gaiety and dangerous pleasures of the city, conducted by the money-grubbing but ingenious and smiling Arabs to the gambling dens, dancing-houses, and strange parlours of the back streets. They were cheated, swindled, robbed whilst drunk, robbed whilst asleep, but they saw strange sights and tasted unusual pleasures, sating the new eyes and lips which Egypt had given them. At last, the time drawing nigh for their departure for the Dardanelles, they resolved to get back part of what they had lost in the back streets of the city—certain things they could never get back—and they went down in force and sacked the houses and rushed the Arabs and Arab women to the streets and took back what they could find. There was a great riot. The native police were called out, and they fired at the screaming mob. Such scenes were enacted in the city that brought to mind the continuous street-rioting in Alexandria in the old early-Christian days. But what is most significant in the sight of these fine young men in the city is the realisation of the impure strain they take back with them from Egypt to the women and the children of Australia and New Zealand. * * * * * Night comes over the stately city, and the Europeans in their white clothes come in greater numbers into the streets. The great remote staring moon stands over the broad highway and arched bridges. Heat seems to be generated through the haze in the sky, but a light dry breeze is ever blowing, and the pungent sweetish odour of the city is in the nostrils. In the contrast of darkness and night silence the clangour of Eastern music is more stirring. It stirs the body, not the soul, and is like the sensuous music of Nebuchadnezzar, the music of cornet, flute, harp, sackbut, psaltery, and dulcimer. Dark women with gold ornaments hang out from curtainless windows or lurk just inside doorways and dark passages, ready to coil snake-like upon a prey. In the roadways a shouting, calling crowd. In the taverns they are singing “Tipperary” and “We won’t go home till morning”; some men are standing on the tables, others are trying to put gawky Arab girls through the steps of a tango. The music jangles. The whole street has a collective voice, a strange tinkling and murmuring uproar.