The Way of Martha and the Way of MaryGraham, Stephen
Religion
The Way of Martha and the Way of Mary
Graham, Stephen
National characteristics, Russian; Russia -- Religion
That strange German fairy tale of the three sluggards is probably taken
from conquered Slavs. There lies in it something of the Russian point of
view. The old king gave his kingdom to the son who would not save
himself from the gallows-tree, even though a knife were put into his
hand to cut himself down. The German version is that the king gave the
throne to the laziest of the three, but in reality he gave it to the one
who was most capable of denying the world.
Dostoieffsky had a habit of saying that he was glad to have gone through
penal exile in Siberia, and he felt that those revolutionaries who fled
abroad and did not accept the worldly judgment and punishment meted out
by the Russian court were not true to Russian ideas and not in reality
helping Russia. He would have preferred that they accepted the cross
which Russia put upon them. Dostoieffsky constantly refers to himself as
a slice from the loaf of Russia, a slice from the communion loaf—a share
in the sacrifice. Those who flee from punishment are outside the
communion, they have no real portion in Russia. “The religion of
suffering” does not mean “suffering for its own sake,” but rather the
religion of not avoiding suffering, not avoiding or trying to avoid
destiny. The religion of the _podvig_.
A tempter once came to a hermit living in a cave, and told him about the
pain and misery and poverty of his fellow-men living in the world, and
asked him what he would do if a million of money were brought to his
cave and put at his disposal. The hermit crossed himself and muttered,
“Get thee behind me, Satan!” The tempter was annoyed and urged his
point. “But what would you do?” he asked.
“I should not alter my way of life,” said the hermit.
That was a _podvig_, a denial of the reality of misery on earth, a
denial of the power of money to gain real happiness for man.
One of the most interesting of Russian mystery plays, Andreief’s
_Anathema_, is concerned almost wholly with this idea. A man after God’s
own heart succumbs to the temptation of thinking he can put the world
right with money. He inherits a million from a relative who has died in
America, and he sets to work to alleviate human suffering. But the more
suffering he tries to remedy the more appears before him, till finally
he is drowned in suffering, and God says to Human Reason, “Not by these
measures shall it be measured, nor by these numbers shall it be counted,
nor by these weights shall it be weighed, O Anathema, dwelling among
numbers and measures, and not yet born into light!”
This idea is so pervasive, so characteristic, that I would call it an
extra letter in the alphabet of Russian philosophy.
* * * * *
The history of literature is the history of ideas.
Public-domain text, read in full here on John Shaqi.
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