The Way of the Air: A Description of Modern AviationMiddleton, Edgar Charles
History
The Way of the Air: A Description of Modern Aviation
Middleton, Edgar Charles
Aeronautics, Military; World War, 1914-1918 -- Aerial operations
Getting off from the ground is by no means a pleasant sensation. There
are hangars, high roofs, and chimney-stacks waiting to be collided
with, patches of thin and rarefied air, which will bump the machine
down as much as thirty feet at a time; the ever present danger of
engine failure, necessitating a descent to the darkened earth beneath,
always so full of death-traps for the airman and his craft.
Clear of the earth, at about 1000 feet, there are, here and there,
faint patches of light of dark gray and the subdued reddish glow of
the distant metropolis; the locomotive of a passing passenger train,
bright as a searchlight for a brief moment, then passing away into
the outer darkness. Higher and yet higher; and the sensation! The
mind of a Jules Verne or of an H. G. Wells could not imagine a feeling
more eerie, more strange than this. Noise and darkness, the incessant
deafening purr of the engine, the pitch blackness on all sides,
relieved by the one tiny light inside the fuselage, as welcome and
cheery to the airman as a distant lighthouse to a sailor in a storm.
Then the searchlights begin to blaze, creeping up across the sky in
ribbons of shining brightness. One plays for a moment on the machine,
the pilot is almost blinded before it passes on its strange search
across the heavens. But a stringent search reveals--nothing! For
an encounter with the raiding airship is not at all probable at an
altitude of below 6000 ft., and from that height up to 15,000 ft.; the
only likely encounter is with the observation car of a Zepp. This car
is usually suspended hundreds of feet beneath the mother-craft by means
of a stout aluminum cable or cables, is about 7 ft. by 5 ft., composed
entirely of aluminum, and contains sufficient space for one observer,
who is in telephonic communication with the commander.
At last the pilot of the aeroplane has an instinctive feeling that a
Zeppelin is somewhere near him. He cannot hear because of the noise
of his own engine, and he cannot see because of the intensity of the
darkness all around him.
The combat between the aeroplane and the Zeppelin might be compared
to that between the British destroyers and the German Dreadnoughts in
the recent Jutland battle. Dashing in with great rapidity and skill,
the tiny one-gunned aeroplane fires its broadside, then makes off as
fast as possible to get out of range of the comparatively heavy-armed
airship. From thence onwards it develops into a fight for the upper
position, for once above the Zeppelin the aeroplane pilot can use his
bombs, which are considerably more effective than a machine-gun, and
the broad back of the gasbag offers a target which can hardly be missed.
Public-domain text, read in full here on John Shaqi.
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