Looking back upon it, the little Kentucky town seemed to blossom for
Celia like the rose, one broad expanse of sloping lawns bordered with
flower beds and shaded by quiet trees, elms and maples, brightly green
with young leaflets and dark with cedars and pines, as it was on the
day when she stood on the vine-covered veranda of her mother's home,
surrounded by friends come to say good-by.
Jane Whitcomb kissed her cheek as she tied the strings of her big poke
bonnet under her chin.
"I hope you will be happy out theah, Celia," she said; "but if it was
me and I had to go, I wouldn't. You couldn't get me to take such
risks. Wild horses couldn't. All them whut wants to go West to grow
up with the country can go, but the South is plenty good enough fo'
me."
"Fo' me, too," sighed Celia, homesickness full upon her with the
parting hour. "It's Seth makes me go. Accordin' to him, the West is
the futuah country. He has found a place wheah they ah goin' to build
a Magic City, he says. He's goin' to maik a fortune fo' me out theah,
he says, in the West."
"Growin' up with the country," interrupted Sarah Simpson, tying a
bouquet of flowers she had brought for Celia with a narrow ribbon of
delicate blue.
"Yes," admitted Celia, "growing up with the country."
Sarah handed her the flowers.
"It's my opinion," concluded she, "that it's the fools, beggin' youah
pahdon, whut's goin' out theah to grow up with the country, and the
wise peepul whut's stayin' at home and advisin' of 'em to go."
Celia shuddered.
"I'm ha'f afraid to go," she said. "They say the wind blows all the
time out theah. They say it nevah quits blowin'."
"'Taint laik as if you wus goin' to be alone out theah," comforted
Mansy Storm, who was busy putting away a little cake she had made
with her own hands for Celia's lunch basket. "Youah husband will be
out theah."
She closed the lid down and raised her head brightly.
"Whut diffunce does it maik?" she asked, "how ha'd the wind blows if
you've got youah husband?"
Lucy Brown flipped a speck of dust from the hem of Celia's travelling
dress.
"Yes," said she, "and such a husband!"
Celia looked wistfully out over the calm and quiet street, basking in
the sunlight, peacefully minus a ripple of breeze to break the beauty
of it, her large eyes sad.
"I'm afraid of the wind," she complained. "Sto'ms scah me."
And she reiterated:
"I'm afraid of the wind!"
Sarah suddenly ran down the walk on either side of which blossomed old
fashioned flowers, Marsh Marigolds, Johnny-Jump-Ups and Brown-Eyed
Susans. She stood at the front gate, which swung on its hinges,
leaning over it, looking down the road.
"I thoat I heahd the stage," she called back. "Yes. Suah enuf. Heah it
is, comin'."
At that Celia's mother, hurrying fearfully out the door, threw her
arms around her.
Celia fell to sobbing.
"It's so fah away," she stammered brokenly, between her sobs. "I'm
afraid ... to ... go.... It's so fah ... away!"
Public-domain text, read in full here on John Shaqi.
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