The Way They Lived Then: Serious Interviews, Strong Women, and Lessons for Life in the Novels of Anthony Trollope — John Shaqi
The Way They Lived Then: Serious Interviews, Strong Women, and Lessons for Life in the Novels of Anthony TrollopePrewitt, Taylor
General
The Way They Lived Then: Serious Interviews, Strong Women, and Lessons for Life in the Novels of Anthony Trollope
Prewitt, Taylor
Trollope, Anthony, 1815-1882 -- Criticism and interpretation
Of the subplots, the most amusing is the celebrated introduction of
Plantagenet Palliser, whose scandalous affair with Lady Dumbello
is discussed all over London. The reader knows that the outward
manifestations of this affair are limited to one or two comments
about the weather when he comes to stand by her chair at large
parties. The climax of the affair occurs when Mr. Palliser dares
to address her as "Griselda," and it concludes when she promptly
responds by asking him to send for her coach. Around these modest
happenings the Duke of Omnium and Gatherum feels obliged to threaten
to cut off his nephew from his allowance and perhaps even cut off
his status as heir by marrying and begetting a son himself, at his
advanced age. With no interest in Griselda until so threatened, the
young nephew feels obliged to challenge his uncle by addressing
Griselda. However, the seeding of the wild oats is finished with the
arranged marriage of the young Member of Parliament to the wealthy
young Lady Glencora McCluskie. All these events are dramatized in the
1974 BBC television series, _The Pallisers_, and form the prequel to
Trollope's series of six novels about the Pallisers.
Such comic relief is welcome in a rather serious novel which is
destined to have no fairy tale ending. As such, it stands as a
credible account of human affairs as we humans may conduct them. I
suppose that sometimes women do indeed take voluntary private vows
of chastity after being jilted, and sometimes keep them, and perhaps
it happened more often in Victorian society over a hundred years ago
than in our seemingly more open society today, but it takes a strong
woman to do it; and the unusual occurrence of the phenomenon is
emphasized by the author in the refusal of any of Lily's family or
friends to acknowledge her statement of purpose. John Eames, faithful
in his unrequited love for Lily, seems to understand it better
than any of them, but he sympathizes with her position in his own
profession never to love anyone else.
One could make a case for the novel's being a story about the
hobbledehoy, the author's term for awkward late bloomers like John
Eames. Johnny progresses toward manhood and is considered to have
succeeded in this by the end of Part II; he "thrashes" Adolphus
Crosbie by punching him in the eye at a railway station; he is
promoted to be the private secretary to Sir Raffle Baffle in the
bureaucracy, and he never allows himself to be demeaned by fetching
Sir Raffle's boots; he earns the friendship and patronage of the
Earl de Guest by saving him from a bull in his pasture; he escapes
a foolish liaison with Amelia Roper, the designing daughter of his
landlady; and he receives encouragement from the Earl and from Lily's
mother in his suit. But he doesn't get the girl.
Public-domain text, read in full here on John Shaqi.
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