With the matter in this state, and in Frederic's absence, Lady Aylmer decides to bring out the weapon that she has been holding in reserve for so long: Clara's refusal to accede to her command to renounce Mrs. Askerton of the checkered past. The scene of battle is the drawing-room, in the presence of Belinda, Frederic's sister. This time the silence lasts for a half hour (How many New York minutes are there in a Victorian half hour?) Finally Lady Aylmer mentions the name of the notorious Mrs. Askerton. Clara draws herself up for battle. "Belinda gave a little spring in her chair, looked intently at her work, and went on stitching faster than before." Clara parries each thrust, saying that what she knows of Mrs. Askerton's past life is in confidence, so that she cannot speak of it. Lady Aylmer says that they must speak of it. "Belinda was stitching very hard, and would not even raise her eyes." When pressed, Clara states that she was very foolish to come to a house in which she is subjected to such questioning. And when required to promise that the acquaintance not be renewed, she refers to it as an "affectionate friendship" and vows that it will be maintained with all her heart. Then Clara gives her opponent an opening by observing that they may differ on many subjects, and Lady Aylmer presses to the decisive point, alluding to Clara's hold upon her "unfortunate son." Hereupon Clara declares herself insulted, rises from her chair, and announces that she will inform Captain Aylmer that their engagement is at an end unless she can be reassured that she will never again be subjected to such "unwarrantable insolence" from his mother. Exit Clara. And with this the course of events is determined; Captain Aylmer and Will Belton play out their roles in the expected fashion. The rest of the book is rather humdrum compared to the prolonged battle between Lady Aylmer and Clara, which is one of the more entertaining of these Trollope set pieces. A prototype of such contests is the interview between Elizabeth Bennett and Lady Catherine de Bourgh in Jane Austen's _Pride and Prejudice_. In this classic encounter, Elizabeth defends herself with the understated irony of an Austen heroine when Lady Catherine tells her that the alliance between Elizabeth and Mr. Darcy will be a disgrace and that her name will never even be mentioned by any of the de Bourgh family. "These are heavy misfortunes," replied Elizabeth. "But the wife of Mr. Darcy must have such extraordinary sources of happiness necessarily attached to her situation, that she could, upon the whole, have no cause to repine." Trollope demonstrates his skill in presenting the female point of view in his variations on the Cophetua theme, in which the king marries a beggar maid whom he spies from the window of his castle. Lady Lufton, in _Framley Parsonage_, is not the proud and unbending opponent portrayed in Austen's Lady Catherine de Bourgh or in Lady Aylmer of _The Belton Estate_.