Capitalists and financiers -- Fiction; Commercial crimes -- Fiction; London (England) -- Fiction; Mate selection -- Fiction; Satire
From all this it had come to pass that that dabbling in literature
which had been commenced partly perhaps from a sense of pleasure in
the work, partly as a passport into society, had been converted into
hard work by which money if possible might be earned. So that Lady
Carbury when she wrote to her friends, the editors, of her struggles
was speaking the truth. Tidings had reached her of this and the other
man's success, and,--coming near to her still,--of this and that
other woman's earnings in literature. And it had seemed to her that,
within moderate limits, she might give a wide field to her hopes. Why
should she not add a thousand a year to her income, so that Felix
might again live like a gentleman and marry that heiress who, in Lady
Carbury's look-out into the future, was destined to make all things
straight! Who was so handsome as her son? Who could make himself more
agreeable? Who had more of that audacity which is the chief thing
necessary to the winning of heiresses? And then he could make his
wife Lady Carbury. If only enough money might be earned to tide over
the present evil day, all might be well.
The one most essential obstacle to the chance of success in all
this was probably Lady Carbury's conviction that her end was to
be obtained not by producing good books, but by inducing certain
people to say that her books were good. She did work hard at what
she wrote,--hard enough at any rate to cover her pages quickly;
and was, by nature, a clever woman. She could write after a glib,
common-place, sprightly fashion, and had already acquired the knack
of spreading all she knew very thin, so that it might cover a vast
surface. She had no ambition to write a good book, but was painfully
anxious to write a book that the critics should say was good. Had Mr.
Broune, in his closet, told her that her book was absolutely trash,
but had undertaken at the same time to have it violently praised in
the "Breakfast Table," it may be doubted whether the critic's own
opinion would have even wounded her vanity. The woman was false from
head to foot, but there was much of good in her, false though she
was.
Public-domain text, read in full here on John Shaqi.
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