It seemed very silent; there was no sound from below. Dosia went down
the low, wide stairs with that indescribable air of the watcher in the
night. Her white cotton gown, the same that she had worn throughout the
afternoon, had lost its freshness, and clung to her figure in twisted
folds; the waist was slightly open at the throat, and the long white
necktie was half untied. One cheek was warm where it had pressed the
pillow; the other was pale, and her hair, half loosened, hung against
it. Her eyes, very blue, showed a rayed starriness, the pupils
contracted from the sudden light—her expression, tired and half
bewildered, had in it somewhat of the little lost look of a child, up in
the unwonted middle of the night, who might go naturally and comfortably
into any kind arms held out to her. The turn of the stairs brought her
fronting the little drawing-room and the figure of Girard, who sat
leaning forward, smoking, in the Morris chair, with his elbow resting on
the arm of it and his head on his hand; the books and bric-à-brac on the
table beside him had been pushed back to make room for the tray
containing the coffee-pot, a cup and saucer, and a plate with some
biscuits; a newspaper lay on the floor at his feet. Notwithstanding the
light in the hallway and the room, there was that odd atmospheric effect
which belongs only to the late and solitary hours of the night, when the
very furniture itself seems to share in a chill detachment from the life
of the day. Yet, in the midst of this night silence, this withdrawing of
the ordinary vital forces, the figure of Bailey Girard seemed to be
extraordinarily instinct with vitality, even in that second before he
moved; his attitude, his eyes, his expression, were informed with such
intense and eager thoughts that it was as startling, as instantly
arresting, as the blast of a trumpet.
At the sound of Dosia’s light oncoming step opposite the door, he rose
at once, and with a quick stride stood beside her. He seemed tall and
unexpectedly dazzling as he confronted her; his deep set gray eyes were
very brilliant.
“What is the matter? Is Mrs. Alexander ill?”
“No—oh, no; the children have been restless, that is all,” said Dosia,
recovering, with annoyed self-possession, from a momentary shock, and
feeling disagreeably conscious of looking tumbled and forlorn. “I came
down to get a pitcher of water.”
“Can’t I get it in the dining-room for you?” he asked, with formal
politeness.
“Thank you. The water isn’t running in the butler’s pantry, I have to go
in the kitchen for it. If you would light the gas there for me——”
Public-domain text, read in full here on John Shaqi.
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