Men in a mass are neither beautiful nor impressive to look at in the
modern black or sad-colored raiment of every-day custom, and it is
difficult, as the eyes rest on the faces in these commonplace rows, to
realize the space which love inevitably fills in these lives, so far
apart from romance do they seem, forgetful as we are of the worn truth
that romance is a flowering weed which grows in any soil. For three
fourths of these men some woman waits. Those dull eyes can gleam, those
set lips can kiss; these be heroes, handsome men, arbiters of destiny!
There is positive grotesqueness in the idea, seen in this obliterating
haze of fatigue that so maliciously dwarfs and slurs. That man over
there with the long upper lip and closed lids has an episode in his
middle-aged existence to match any in the annals of fiction. That other
beside him, short, fat, with kind eyes and a stubby brown beard, is the
sum of all that is good and beautiful to the wife for whom his
homecoming continues to be the poignant event of the day. This man with
the long, thin face is a modern martyr working himself to death for his
family; this one was in the newspapers last week in a connection best
not remembered. This one—you would pick him out at once from among the
rest—is to be married to-morrow. This man, and this, and this, while
presently unconscious of the great law, are still living under it. Not
only to youth is the promise given; it becomes a larger and more vital
thing as the opportunities of life increase, further spreading in its
fostering of good or evil—a thread so deeply interwoven on the under
side of the fabric that we forget to look for it.
In every case is a character to be made or marred, not only by the large
molding, but by the infinitesimal touches of that love whose influence
we conventionally limit to young and unmarried persons—while knowing,
whether we acknowledge it or not, that it is the one eternally powerful
element in life.
Even in a far-off reflex action, this is shown on the ferry-boat in the
fact that when one of this blended concourse of men meets a woman he
instantly regains an individuality; he pulls himself together, his eyes
become bright, his manner concentrated, his clothes set well on him. He
is no longer one of the crowd, but himself.
Tireless youth may achieve the same individual effect, or unusual
personal beauty, or great happiness, or the possession of a dominant
idea. A number of people, as they came forward on the boat, turned to
look back at two men sitting by the narrow passageway, who in the midst
of the general indifference were talking in a low tone, with obviously
intense earnestness. Those who looked once usually turned a second time
to gaze on the face of one.
Public-domain text, read in full here on John Shaqi.
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