Lois was sitting under the rays of the lamp. She wore a scarlet gown and
held a piece of white embroidery in her lap. She seemed to absorb all
the light in the room, and to leave the rest of it dark by contrast—her
rosed cheeks, her white eyelids dropped over her work, the bronze waves
of her hair melted into the gloom of the background. She was beautiful,
but Justin did not care to look at her; it was even momentarily
repugnant to him to do so. He sat on the edge of his chair, tapping his
hat against it. She lacked the one thing that made a woman beautiful to
him; absorbed as he was in his own plans, his own life he felt a
loss——
Her remark about the children made him wince. He was a man who loved his
children, and he had not only been obliged to lose most of the sweetness
of their possession lately,—the sweetness that consists in watching the
unfolding, day by day, of the flower-petals of childhood,—but when he
had the rare chance of being in their society he could not enjoy it; a
hitherto unsuspected capriciousness and irritation laid the precious
moments waste. He could hear Zaidee’s gentle little voice repeating her
mother’s perfunctory extenuation: “Poor daddy’s nervous; come away,
Redge!”
“I hope you’ll tell Mr. Selden that I must have a closet under the
stairs,” said Lois suddenly.
“He’ll put one there if he can.”
“If he can! Justin, I spoke about it from the very first. I don’t want
the house if he can’t put the closet in. I——”
“All right. I’ve got to go now.” If he had cared to think about it, he
might have wondered why she wanted him to wait for such last words as
these. As the door closed behind him, she let her embroidery fall from
her fingers and listened to the last sound of his footsteps echoing far
into the frosty night. There was a firm directness in it as it carried
him from her.
The overcoat had not belied its appearance as the harbinger of
prosperity and the forerunner of large expenditures—of which the house
on the hill was one. The typometer was having a boom, the orders for it
were phenomenal; the factory was working night and day. Even with the
principle of trying to be rigidly conservative in estimates, it was hard
not to count on an unvaried continuance of the miraculous; everybody
knows of instances when it has continued, or seemed to. In reality,
there is no such continuous miracle; a succession of adapted conditions
has to be keenly worked out to produce the effect of continuity. In a
sense, the Typometer Company was aware of this, and was consequently
assimilating gradually smaller ventures with the main one.
Public-domain text, read in full here on John Shaqi.
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