The Ways of Life: Two StoriesOliphant, Mrs. (Margaret)
General
The Ways of Life: Two Stories
Oliphant, Mrs. (Margaret)
Fiction
THE WAYS OF LIFE
TWO STORIES
BY
MRS. OLIPHANT
“_We have wrought no new deliverance in the earth_”
G. P. PUTNAM’S SONS
NEW YORK & LONDON
The Knickerbocker Press
1897
COPYRIGHT, 1897
BY
G. P. PUTNAM’S SONS
The Knickerbocker Press, New York
CONTENTS.
PAGE
A PREFACE: ON THE EBB TIDE 7
MR. SANDFORD 21
THE WONDERFUL HISTORY OF MR. ROBERT DALYELL 149
THE WAYS OF LIFE.
A PREFACE.
ON THE EBB TIDE.
I do not pretend to say that the two stories included in this volume are
conscious or intentional studies of the phase of human experience which
I can describe in no other way than by calling it the ebb, in
contradistinction to that tide in the affairs of men which we all know
is, to those who can identify and seize it, the great turning-point of
life, and leads on to fortune. But they were at least produced under the
influence of the strange discovery which a man makes when he finds
himself carried away by the retiring waters, no longer coming in upon
the top of the wave, but going out. This does not necessarily mean the
decline of life, the approach of age, or any natural crisis, but
something more poignant--the wonderful and overwhelming revelation
which one time or other comes to most people, that their career,
whatever it may have been, has come to a stop: that such successes as
they may have achieved are over, and that henceforward they must
accustom themselves to the thought of going out with the tide. It is a
very startling discovery to one who has perhaps been going with a
tolerably full sail, without any consciousness of weakened energies or
failing power; and it usually is as sudden as it is strange, a thing
unforeseen by the sufferer himself, though probably other people have
already found it out, and traced the steps of its approach. Writers of
fiction, and those whose work it is to realise and exhibit, as far as in
them lies, the vicissitudes and alterations of life, are more usually
employed in illustrating the advance of that tide--in showing how it is
caught or lost, and with what an impetus, and what accompaniments it
flings itself higher and higher up upon the beach, with the sunshine
triumphant in the whirl of the big wave as it turns over and breaks into
foam, and the flood claps its hands with a rejoicing noise. But yet the
ebb has its poetry, too; the colours are more sombre, the sentiment is
different. The flood which in its rise seemed almost individual,
pervaded by something like conscious life of force and pleasure, becomes
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