The Ways of Life: Two StoriesOliphant, Mrs. (Margaret)
General
The Ways of Life: Two Stories
Oliphant, Mrs. (Margaret)
Fiction
The house was very quiet when they were all away. Merely to look into
the drawing-room was enough to give any one a chill. The sense of
emptiness where generally every corner was full, and silence where there
were always so many voices, was very depressing. Mr. Sandford consoled
himself by a very hard day’s work the first day of the absence of his
family, getting on very well indeed, and making a great advance in the
picture he was painting--a small picture intended for one of his oldest
friends. In the evening, as he had nothing else to occupy him, he moved
about the studio, not going into the other parts of the house at all,
and amused himself by making a little study of the moonlight as it came
in upon the plants in the conservatory. His house was in a quarter not
fashionable, somewhere between St. John’s Wood and Regent’s Park, and
consequently there was more room than is usual in London, a pretty
garden and plenty of air. The effect of the moonlight and the black
exaggerated shadows amused him. The thought passed through his mind that
if perhaps he were one of the newfangled school which Jack’s friends
believed in, he might turn that unreal scene which was so indubitable a
fact into a picture and probably make a great success as an
impressionist--an idea at which he smiled with a milder but not less
genuine contempt than the young impressionist might have felt for Mr.
Sandford’s school. He had half a mind to do it--to conceal his name and
send it to one of the lesser exhibitions, so as afterwards to have a
laugh at the young men, and prove to them how easy the trick was, and
that any old fogey who took the trouble could beat them in their own
way. Next morning, however, he threw the sketch into a portfolio, with a
horror of the black and white extravagance which in the daylight
offended his artist-eye, and which he had a suspicion was not so good
after all, or so easy a proof of the facility of doing that sort of
thing as he had supposed. And that day his work did not advance so
quickly or so satisfactorily. He listened for the swing of the door at
the other end of the passage which connected the studio with the house,
though he knew well enough there was no one who could come to disturb
him. There are days when it is so agreeable to be disturbed! And it was
when he was painting in this languid way, and, as was natural, not at
all pleasing himself with his work, that there suddenly and most
distinctly came before him, as if some one had come in and said it, a
thing--a fact--which strangely enough he had not even thought of before.
When it first occurred to him his hand suddenly stopped work with an
action of its own before the mind had time to influence it, and there
was a sudden rush of heat to his head. He felt drops of moisture come
out on his forehead; his heart for a second paused too. His whole being
received a shock--a start. For the first moment he could scarcely make
Public-domain text, read in full here on John Shaqi.
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