The population of a whole region is astir under the ardent Provençal sun, to witness a resurrection of the Drama in the historic valley of the Rhône, through whose channel the civilization and art and culture of the old world floated up into Europe to the ceaseless cry of the _cigales_. Châteaurenard! our water journey is ended. Through the leafy avenues that lead to Orange, we see the arch of Marius and the gigantic proscenium of the theatre, rising above the roofs of the little city. So few of our compatriots linger in the south of France after the spring has set in, or wander in the by-ways of that inexhaustible country, that a word about the representations at Orange may be of interest, and perchance create a desire to see the masterpieces of classic drama (the common inheritance of all civilized races) revived with us, and our stage put to its legitimate use, cultivating and elevating the taste of the people. One would so gladly see a little of the money that is generously given for music used to revive in America a love for the classic drama. We are certainly not inferior to our neighbors in culture or appreciation, and yet such a performance as I witnessed at Orange (laying aside the enchantment lent by the surroundings) would not be possible here. Why? But to return to my narrative. The sun is setting as we toil, ticket in hand, up the Roman stairway to the upper rows of seats; far below the local _gendarmerie_ who mostly understand their orders backwards are struggling with the throng, whose entrance they are apparently obstructing by every means in their power. Once seated, and having a wait of an hour before us, we amused ourselves watching the crowd filling in every corner of the vast building, like a rising tide of multi-colored water. We had purposely chosen places on the highest and most remote benches, to test the vaunted acoustic qualities of the auditorium, and to obtain a view of the half-circle of humanity, the gigantic wall back of the stage, and the surrounding country. As day softened into twilight, and twilight deepened into a luminous Southern night; the effect was incomparable. The belfries and roofs of mediæval Orange rose in the clear air, overtopping the half ruined theatre in many places. The arch of Marius gleamed white against the surrounding hills, themselves violet and purple in the sunset, their shadow broken here and there by the outline of a crumbling château or the lights of a village. Behind us the sentries paced along the wall, wrapped in their dark cloaks; and over all the scene, one snowtopped peak rose white on the horizon, like some classic virgin assisting at an Olympian solemnity.