A town which is built of red bricks, that are faced with white marble,
the whole garnished with green blinds, can never have but one outward
sign—that of tawdry vulgarity. But this radical defect is slowly
disappearing from the streets of Manhattan; and those who build, are
getting to understand that architecture, like statuary, will not admit
of strong contrasts in colours. Horace Walpole tells us of a certain old
Lord Pembroke, who blackened the eyes of the gods and goddesses in the
celebrated gallery at Wilton, and prided himself on the achievement, as
if he had been another Phidias. There have been thousands of those who
have laboured in the spirit of this Earl of Pembroke in the streets of
all the American towns; but travelling, hints, books and example, are
slowly effecting a change; and whole squares may now be seen in which
the eye rests with satisfaction on blinds, facings and bricks, all
brought to the same pleasing, sober, architectural tint. We regard this
as the first step, in advance, that has been made in the right
direction, so far as the outward aspect of the town is concerned, and
look forward, with hope, to the day when Manhattan shall have banished
its rag-fair finery altogether, and the place will become as remarkable
for the chaste simplicity of its streets, as they have hitherto been for
their marked want of taste.
With this great town, mottled as it is, in people as well as in hues,
with its native population collected from all parts of this vast
republic, and its European representatives amounting to scores of
thousands, we shall have much to do in the succeeding pages. Our
researches, however, will be bestowed more on things moral than on
things physical; and we shall endeavour to carry the reader with us
through scenes that, we regret to say, are far more characteristic than
novel.
In one of the cross streets that communicate with Broadway, and below
Canal, stands a dwelling that is obnoxious to all the charges of bad
taste to which there has already been allusion, as well as to certain
others that have not yet been named, at all. A quarter of a century
since, or within the first twenty years of its own existence, the house
in question would have been regarded as decidedly patrician, though it
is now lost amid the thousands of similar abodes that have arisen since
its own construction. There it stands, with its red bricks periodically
painted redder; its marble facings, making a livery of red turned up
with white; its green blinds, its high stoop, its half-buried and low
basement, and all its neatness and comfort, notwithstanding its flagrant
architectural sins. Into this building we now propose to enter, at the
very early hour of eight in the morning.
Public-domain text, read in full here on John Shaqi.
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