He had the literary man’s constitutional distaste for writing or answering letters. A friend once said chaffingly to him that he might write “The Life and Letters of T. M. Kettle.” “Well,” retorted Tom, “you may write my life, but there won’t be any letters, for I never write any.” He was also unpunctual in keeping appointments, and finding the telephone very useful, he said it should be called not “telephone,” but “tell-a-fib,” as that was its chief function. He was intensely Catholic and always flaunted the banner of his religion. “Religion,” he writes in this volume, “is one of the ideal forces that make men good citizens and gallant soldiers.” And again, “If soldiers will not fight on an empty stomach, still less will they fight on an empty soul.” Perhaps because he loved his faith, so he could afford to take it humorously at times. I remember once his throwing off in an epigram the difference between the Catholic and Protestant religions. “The Catholics take their beliefs table d’hôte,” he said, “and the Protestants theirs à la carte.” What chiefly appealed to him in Catholicity was its mystery and its gospel of mercy. If he often quoted Heine’s well-known semi-cynical “Dieu me pardonnera, c’est son métier,” it was because he felt an amazed gratitude that a God should choose such an original profession. He greatly liked the society of Irish priests. He used to say they were gentlemen first, and priests after. They, too, loved him, and took his gentle chaff as it was meant. I remember how a priest friend of his enjoyed a sermon for golfers which Tom composed for him. Needless to say it was never preached. In it golfers were enjoined to “get out of the bunker of mortal sin with the niblick of Confession.” During the Dublin strike an anti-cleric was railing against the priests, who had intervened to prevent the deportation of the children. Tom completely won him over with the original argument “that the priests were acting as members of a spiritual trade union.” Writing of the great Catholic poet, Francis Thompson, he puts in a lyric plea for his religion: “The superiority of the Catholic poet is that he reinforces the natural will by waters falling an infinite height from the infinite ocean of spirit. He has two worlds against one. If we place our Fortunate Islands solely within the walls of space and time, they will dissolve into a mocking dream; for there will always be pain that no wisdom can assuage. They must lie on the edge of the horizon with the glimmer of a strange sea about their shores and their mountain peaks hidden among the clouds.” He had a wonderful spiritual humility. What he found admirable in Russian literature was “an immense and desolating sob of humility and self-reproach.” He abjured the self-righteous who, he used to say, went round as if they were “live monuments erected by God in honour of the Ten Commandments.” He was, indeed, over generous in the praise of qualities in others which he had superlatively himself.