Another book projected but unachieved was on Dublin. His idea was to, follow the method of E. V. Lucas in his _Wanderer in London_. For Dublin city he had a great love and pride: “Of no mean city am I,” he often quoted proudly of his native city. For its poor he had a tremendous pity. The city beggars always found him an easy victim. I remember one night on coming out of a theatre, an urchin of about five years came clamouring after him. I began the usual stunt on the parental iniquity that allowed youngsters to go out begging at eleven at night; but Tom, unheeding, was already chatting with the boy. “What’s your name?” he asked. “Patsy Murphy, sir.” “Well, Patsy, which would you rather, a shilling or a halfpenny?” “A halfpenny, sir,” was the amazing reply. “Now tell me why?” questioned my husband, interested. “Well,” said the kid, “I might get the halfpenny but I’d never get the shilling.” His naïve philosophy got him both on this occasion. In a speech on Dublin he said: “We cannot ignore the slums, for the slums are Dublin and Dublin is the slums.” On the same occasion he remarked: “Dublin is in one respect like every other city. It is convinced that it possesses the most beautiful women and the worst corporation.” In a letter written from the boat on his way to France, with already a prophetic sense of death waiting for him on the battlefield, he wrote: “I have never felt my own essay ‘On Saying Good-bye’ more profoundly aux tréfonds de mon cœur.” I shall quote the conclusion of the essay-- “There is only one journey, as it seems to me ... in which we attain our ideal of going away and going home at the same time. Death, normally encountered, has all the attractions of suicide without any of its horrors. The old woman” (an old woman previously mentioned who complained that “the only bothersome thing about walking was that the miles began at the wrong end“)--”the old woman when she comes to that road will find the miles beginning at the right end. We shall all bid our first real adieu to those brother-jesters of ours. Time and Space: and though the handkerchiefs flutter, no lack of courage will have power to cheat or defeat us. ‘However amusing the comedy may have been,’ wrote Pascal, ‘there is always blood in the fifth act. They scatter a little dust in your face; and then all is over, for ever.’ Blood there may be, but blood does not necessarily mean tragedy. The wisdom of humility bids us pray that in that fifth act we may have good lines and a timely exit; but, fine or feeble, there is comfort in breaking the parting word into its two significant halves, à Dieu. Since life has been a constant slipping from one good-bye to another, why should we fear that sole good-bye which promises to cancel all its forerunners?”