Out in the woods of Beedon he had attuned his flute to the stir of leaves, the murmur of streams, the song of birds, the boom and burden of storm; and it was soft and deep as the throat of the bell-bird of Australian wilds. Now it was mastered by the dreams he had dreamed of the East: the desert skies, high and clear and burning, the desert sunsets, plaintive and peaceful and unvaried--one lovely diffusion, in which day dies without splendour and in a glow of pain. The long velvety tread of the camel, the song of the camel-driver, the monotonous chant of the river-man, with fingers mechanically falling on his little drum, the cry of the eagle of the Libyan Hills, the lap of the heavy waters of the Dead Sea down by Jericho, the battle-call of the Druses beyond Damascus, the lonely gigantic figures at the mouth of the temple of Abou Simbel, looking out with the eternal question to the unanswering desert, the delicate ruins of moonlit Baalbec, with the snow mountains hovering above, the green oases, and the deep wells where the caravans lay down in peace--all these were pouring their influences on his mind in the little Quaker village of Hamley where life was so bare, so grave. The music he played was all his own, was instinctively translated from all other influences into that which they who listened to him could understand. Yet that sensuous beauty which the Quaker Society was so concerned to banish from any part in their life was playing upon them now, making the hearts of the women beat fast, thrilling them, turning meditation into dreams, and giving the sight of the eyes far visions of pleasure. So powerful was this influence that the shrill Elder twice essayed to speak in protest, but was prevented by the wizened Elder Meacham. When it seemed as if the aching, throbbing sweetness must surely bring denunciation, David changed the music to a slow mourning cadence. It was a wail of sorrow, a march to the grave, a benediction, a soft sound of farewell, floating through the room and dying away into the mid-day sun.