Sommers realized for the first time how the Aurora and the Queen Louise
must worry Miss Hitchcock; how the neat Swedish maids and the hat-stand in
the hall must offend young Hitchcock. The incongruities of the house had
never disturbed him. So far as he had noticed them, they accorded well with
the simple characters of his host and hostess. In them, as in the house, a
keen observer could trace the series of developments that had taken place
since they had left Hill's Crossing. Yet the full gray beard with the broad
shaved upper lip still gave the Chicago merchant the air of a New England
worthy. And Alexander, in contrast with his brother-in-law, had knotty
hands and a tanned complexion that years of "inside business" had not
sufficed to smooth. The little habit of kneading the palm which you felt
when he shook hands, and the broad, humorous smile, had not changed as the
years passed him on from success to success. Mrs. Hitchcock still slurred
the present participle and indulged in other idiomatic freedoms that
endeared her to Sommers. These two, plainly, were not of the generation
that is tainted by ambition. Their story was too well known, from the
boarding-house struggle to this sprawling stone house, to be worth the
varnishing. Indeed, they would not tolerate any such detractions from their
well-earned reputation. The Brome Porters might draw distinctions and
prepare for a new social aristocracy; but to them old times were sweet and
old friends dear.
As the guests gathered in the large "front room," Alexander Hitchcock stood
above them, as the finest, most courteous spirit. There was race in
him--sweetness and strength and refinement--the qualities of the best
manhood of democracy. This effect of simplicity and sweetness was
heightened in the daughter, Louise. She had been born in Chicago, in the
first years of the Hitchcock fight. She remembered the time when the
billiard-room chairs were quite the most noted possessions in the basement
and three-story brick house on West Adams Street. She had followed the
chairs in the course of the Hitchcock evolution until her aunt had insisted
on her being sent east to the Beaumanor Park School. Two years of "refined
influences" in this famous establishment, with a dozen other girls from
new-rich families, had softened her tones and prolonged her participles,
but had touched her not essentially. Though she shared with her younger
brother the feeling that the Hitchcocks were not getting the most out of
their opportunities, she could understand the older people more than he. If
she sympathized with her father's belief that the boy ought to learn to
sell lumber, or "do something for himself," yet she liked the fact that he
played polo. It was the right thing to be energetic, upright, respected; it
was also nice to spend your money as others did. And it was very, very nice
to have the money to spend.
Public-domain text, read in full here on John Shaqi.
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