The Weird Adventures of Professor Delapine of the SorbonneJohnson, G. Lindsay (George Lindsay)
Science
The Weird Adventures of Professor Delapine of the Sorbonne
Johnson, G. Lindsay (George Lindsay)
Spiritualism -- Fiction
Unconsciously disobeying the instruction to keep his mind quite
passive, Doctor Riche could not help studying the face of the young
girl before him, and noticing, as the seconds went by, the gradual
change that was beginning to come over her. From a half careless
insouciance when she first placed the ring on the table in front of her
and began to look into its depths, her whole manner and bearing seemed
now to have changed to one of most absorbing interest, which gradually
altered, until her face bore traces of great mental anguish. So strong
was the appearance of severe distress that the whole reserve of his
well-known professional tenderness of heart surged to the doctor's
brain, and was on the point of giving itself vent in speech, when a
soft, almost entranced voice apparently some distance off was heard, as
in a whisper:--
"Mon Dieu, it is terrible. Listen. It is a house in one of the suburbs
of Paris. There is a large room. It opens into a smaller chamber by a
large door. The door is locked. I see eight people sitting down in a
half circle. They hold each other's hands. There are, let me see, one,
two, three, four, five men, and three ladies. One of the ladies is
young and very pretty, with dark wavy hair, and wonderfully brilliant
eyes. The other is of middle age, and is wearing a wedding ring. I
see one of the men, he looks to be about thirty-five years old, he
is separated from the others. He has long black hair and a pointed
moustache. His face is very white, and his eyes are slowly closing.
They are putting him to sleep. He sleeps, oh, mon Dieu, how still he
is, he looks like the dead. Attendez, attendez, encore une minute. It
is not so clear now to see him. There is a vapeur, like a big white
cloud slowly over-wrapping him. Now it is getting smaller--what you
say, 'condensing'--and is taking a human form, but it is much more
handsome than the sleeper. Now the form is moving its lips as if it
were speaking, now it is fading away from the room, and the company
seems to be afraid, they are all very quiet. There is one of the
men--he looks like a doctor--he seems very anxious, he is uneasy, he is
bien faché as he looks at the sleeper. He regards closely, he touches
him, he takes his wrist and feels the pulse. He calls out, he cries,
'My God! He is dead!' Everyone rushes up to him and--ah, the picture
fades."
"Mon Dieu," cried out Riche, "Try again, mademoiselle, can you see
anything else?"
"Wait. Yes. The picture is forming itself again. Ah, but it is not
the same room. I see an open drawer in a writing table, there is a
large envelope in the drawer. There are five large seals, and there is
something written on the envelope. It is fading--I cannot make it out.
There is a name, Henri--Henri D--No, I cannot see more. It has faded. I
see nothing."
Public-domain text, read in full here on John Shaqi.
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