The Weird Adventures of Professor Delapine of the SorbonneJohnson, G. Lindsay (George Lindsay)
Science
The Weird Adventures of Professor Delapine of the Sorbonne
Johnson, G. Lindsay (George Lindsay)
Spiritualism -- Fiction
While I was staying at his hotel, the Professor narrated to me the
extraordinary history of Professor Delapine, which he assured me was
true, and which with his permission I committed to writing, and worked
up into a novel. Observing the intense interest which I exhibited in
his narrative, he was kind enough to introduce me to the Professor
himself as well as to several of the other characters, and thereby
enabled me to fill up the gaps. What I heard certainly bore out the
adage that "truth is stranger than fiction." For obvious reasons I have
not given the real names to the characters referred to in the novel,
since Delapine, Madame Delapine, (Renée), Marcel, and Dr. Riche are
still hale and hearty, and very distinguished and popular members of
society.
It is needless to say that the coup at the tables related as taking
place at Monte Carlo, as well as other events mentioned in these
chapters, have been disguised so as to prevent identification of the
parties concerned by the general public, although the actors themselves
will doubtless recognise and appreciate the details of the narrative.
Should any of our readers be sceptical as to the ability of a person to
move objects without contact, and to stop a ball at will on a roulette
table, I can only refer them to the experiments of Dr. Ochorowicz[1]
which will be found in the June Number of the _Annals of Psychical
Research_ for the year 1905, wherein will be found an exhausted series
of experiments made with a Polish medium named "Julie." In this paper
the doctor demonstrated beyond a shadow of a doubt that "Julie" could
cause the ball to fall into any of the compartments of the roulette
table which the doctor selected in a large percentage of the trials,
and, when it failed to tumble into the right compartment, it usually
fell into one or other on either side of it.
As regards the trance, I have purposely prolonged its duration to fit
in with the plot of the novel, and I have also introduced certain
alterations and additions in order to make the story more complete.
I may remark further that the phantom scene of Renée's mother may
possibly have been an hallucination on the girl's part, as I have no
direct proof of its occurrence, and have only the testimony of a highly
emotional girl wearied out with vigils to rely upon. Of course there is
the evidence of the lock of hair, which may be seen even to-day, but to
my mind that is not sufficiently convincing, and would certainly not be
allowed as evidence in a court of law.
Public-domain text, read in full here on John Shaqi.
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